The Ronda Rousey Story: Through My Father's Eyes

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

During the pandemic, living under an extreme right-wing government, filmmakers Bel Bechara and Sandro Serpa receive the news that would change their lives: there was a baby to be adopted.

The historical impact of Mexican fighters in mixed martial arts.

Actually, Tomas knows his parents. Born in Brazil in 1993 and adopted from there, he now lives with them in the Netherlands. Now he is faced with the question of whether he should look for his biological mother, or if there are reasons not to do so.

An NHS nurse of twenty years reflects on a challenging and strenuous career as time dwindles to her retirement.

On-ice enforcers struggle to rise through the professional ranks of the world's most prestigious hockey league, only to be confronted with a new found fight for the existence of the role itself.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

"My 60-year-long love affair with books and authors, their stories, and the life lessons they have gifted me. Filmed during the 2024 Oscars for Joel Havers Annual I Shot A Movie During The Oscars Worldwide Film Festival."

The seventh EBI submission, and grappling event shown on 16 July 2016 at The Orpheum Theatre, Los Angeles, the second Invitational event to be streamed live on UFC FIGHT PASS. This time around, it's the featherweights turn to take center stage. This seventh edition of the Eddie Bravo Invitational will be crowning the promotion’s featherweight (145lbs / 65kg) division champion, a title currently held by Eddie Cummings. Although the open weight tournament (EBI 6) included big names of jiu jitsu’s international circuit, this featherweight event will have the popular tournament return to its origins in a recipe that rose the attention of the sport’s fans in previous showings, a mix of veteran grapplers, fairly unknown talent and rising stars of the submission only movement.

Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.

A documentary featuring internationally renowned photographer Toni Hafkenscheid as he explores hidden stories behind iconic architectural structures once considered "Visions of the Future" from the 1960's. This film is a light-hearted look at the way we perceive life and embrace modern advancements. It is a photography expose that becomes a personal journey of self-discovery while exploring innovative Visions of the Future that celebrate memories of Toni's, and our, collective past.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

A look into the life of a couple and the house they raised their family in.

Some members of the Al-Mawad family (of Palestinian origin) visit their relatives in the town of Kfarshuba in southern Lebanon, which is a few meters away from Palestine. This documentary portrays this journey with its narratives and family adventures.

People who knew R. perceived her as a happy woman. A woman from Brno in her thirties who moved to Sweden together with her Slovak husband, psychiatrist Ivan. In their new home country, the young couple bought a house and had two children. It seemed that R.’s life would continue in a predictable way. As a distraction from the routine, she chose an unusual hobby. She created a male alter-ego and started writing novels for LGBTQ+ audiences. R. was happy but felt empty on the inside. She could only fill it by living out her true self. Things started speeding up and R. began changing. R. is now Marvin. And Marvin is a man.

The death of a Burkinabé family’s patriarch and the division of his estate unearths conflict between his heirs and larger questions about inheritance, belonging and the communal customs of West Africa versus Westernized courts.

An observation of a Grandma's life. Every day, Grandma greets a wide range of characters, most of them typically in need of something. Her family uses her house as a magnet, visiting practically every day. Just like her home itself, she has always been there for her family.

Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.

An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.

Harrow’s extraordinary and opulent pageant, and seaside holidays on the south coast.