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Masked bandit Bimbo holds up a train carrying someone tougher… Betty Boop (with dog's ears), played by a different, deeper-voiced actress.

Koko The Clown continually interrupts an animator, who turns his attention to trapping the clown.

Delivery boy Mickey encounters Minnie washing clothes and singing. He stops for a quick song and dance with her. Meanwhile, Pluto gets tangled up in tar. Mickey sends a beehive flying; it lands on his mule, who kicks Mickey's instrument-filled wagon into the air. He plays a march or two on the piano with Minnie, with many animals playing along.

Mickey and others are firemen; they slide down an ostrich's neck when the alarm sounds. A squealing cat whose tail Mickey pulls acts as the siren. The nearest hydrant isn't working too well, so Horace Horsecollar takes drinks from a pond and uses that water to put out the fire. Minnie is trapped on an upper floor; Mickey climbs the neighboring building fire escape and uses a clothesline to cross to Minnie's building.

Mickey and Minnie are on a wagon train; they camp for the night, unaware that Indians have spotted them and are doing a war dance. The attack comes, and Minnie is captured.

A fun day at the beach. While Mickey, Horace, and Clarabelle go swimming, or try to, Minnie lays out a picnic. Pluto discovers why you shouldn't chase a crab. Everyone digs in to lunch. Mickey throws Pluto a string of sausages; he dives after them, and comes up with an angry octopus instead, who crashes into the picnic. Everyone fights the octopus, and Mickey finally manages to send it out to sea by throwing an anchor like a lasso.

Like most Fleischer cartoons from the early '30s, there are lots of stream-of-conscious gags here. They are related by Bimbo's adventures as a mailman.

Betty Boop (with dog's ears) is moving; Bimbo comes with his moving van and is smitten with her. Songs: "Moving Day," "Hello Beautiful."

Mickey plays a bluesy tune on a piano on a stage. Minnie sings. Then an unseen band plays while both sing and dance. Mickey then leads the 9-piece band in an uptempo number, with Pluto on trombone, Horace on percussion, and Clarabelle on bass, among others. Mickey steps out for a clarinet solo.

Mickey takes Pluto fishing in a boat on a lake, but they aren't too successful. The fish mock them, and even steal the bait can. Finally, the game warden spots them (Mickey had ignored the "no fishing" sign) and gives chase.

A driver on a non-stop race from New York to San Francisco gets detoured to Hollywood, where he winds up working as a publicity man for a movie studio and assigned to revive the career of a beautiful but fading star.

Mickey heads over to see Minnie, but Pluto won't leave him alone. He gets there and watches through the window, standing on Pluto, while Minnie plays piano. Pluto runs off to chase a cat and leaves Mickey stuck in the window. Minnie has him in, and he dances to her playing. Pluto chases the cat into the house and causes havoc. The chase leads into the piano, where Pluto picks up the player-piano roll as an extended tail, and the destruction continues.

A greedy man tries to get rid of his mother by putting her in an old folks home until he discovers she has a fortune in stock certificates.

A family is called together in unusual circumstances when a nursing home rings them all for help when there elderly father locks himself in a closet and refuses to come out. Nominated for an Oscar for Best Live Action Short Film.

The stooges are government agent entrusted with protecting professor Sneed, who has invented a super rocket fuel. Larry is mistaken for the professor by foreign agents who kidnap the trio and take them to the country of Anemia where they are ordered to produce the rocket fuel or be executed. The boys come up with a concoction they try to pass of as the real stuff, but are exposed when the real professor and his daughter are also kidnapped. The stooges help them escape, using their secret formula to fuel a jeep.

A pair of young ladies cause trouble at the cinema with their lavish hats.

Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made.

Set in the candy-colored world of 1950s suburbia, a reluctant young housewife suspects that the friendly neighborhood dentist is hiding a horrible secret, but is it just the anesthesia at work or is there something more sinister hiding below the surface? Open up and say AHHHHHHHH!

A six-year-old boy in pre-hippie 1960s United States endures ridicule from his schoolmates and worry from his father over his fixation with a TV star named Dottie.

When Bugs calls a cab he doesn't know it's the getaway car for a couple of bankrobbers (he does know the capital of Nevada).