The story focuses on high school girl Nagisa Yukiai who lives in a seaside town. She has believed her grandmother's story that spirits dwell in words and they are called "kotodama" (word spirit). One day, she strays into a mini FM station that has not been used for years. As an impulse of the moment, she tries to talk like a DJ using the facility. But her voice accidentally broadcasted reaches someone she has never expected.
Focusing on the self-narration and visual language of the mounted police, ‘A horse is a horse of course of course’ reflects on how police horses are treated as just another of the many apparatuses police use for the maintenance of social control systems and their legitimation. While undergoing a special domestication process aimed at suppressing their instinctive flight responses to fear, horses become a means to impose disciplinary power in return. Originally a two-channel video, ‘A horse is a horse of course of course’ invites us to question the distorted mainstream cultural definition of policing. To start engaging with an abolitionist practice also requires radically decoding and refusing the oversimplifying language that police speak.
A film about the artist Marlene Dumas: - There's no right way to portray or to understand someone. It's just an acknowledgment , not a denial of reality. Here are my paintings.
Breaking a mirror initiates five different acts in five different places; exposing shades of magic, politics, and systemic violence. The harm social systems are designed to inflict, the enforced disappearances in Turkey during the 1990s, the border politics of the EU, manipulative storytelling, and power struggles are evoked as the round Pendant attempts to become whole again with its gemstones scattered throughout the acts.
Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.
A doctor must remove a parasite infestation from within a patient's breast.
A hard-boiled US Sergeant and a chatterbox Nazi are forced to team up to destroy a sexy, French, damsel Vampire in war torn France.
The Resurrections of Clarence Neveldine gives us an unsettling glimpse into the life of “The Final Girl” as she deals with the trauma of that notorious night and the mysterious figure that haunts her.
Four people with very different backgrounds meet by chance at an English pub and gradually become carried away in a bout of thrill-seeking. When their spree gets out of hand, each person faces a moral choice with lasting consequences.
A boy who often lies finds himself in such fabulous adventures that he begins to understand the benefits of truth.
Adaptation of the epic "Tale about the beautiful Vassilissa Mikulishna". As Vassilissa with her intelligence and cunning freed her husband from prison.
A valiant mongoose enters into an unequal battle with two snakes while tries to protect a human family.
Grandmother Koba has to take care of her grandchild Emma's digital horse farm.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
When a small town's killer strikes again, the town's sheriff works with the premier radio show host to find the killer.
"In his apartment full of works of art, in an intimate conversation, he (Charles Cosac) talks about all these rebirths. And also trauma, resentment, new projects and even death. And he claims to bring lessons learned from past mistakes to the new publisher." 'I have to act differently, otherwise the same thing will end up happening. I didn't come with a view of the past. I learned a lot in these years.'
The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.
While restoring a fifteenth-century painting Julia reveals a hidden Latin phrase. A series of murders begin to rock her small world of art experts, patrons and restorers, and she finds that the mystery of the painting is interwoven with the mystery of the deaths around her.
A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.