An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
The most important event in the history of the Christian religion occurs beyond the physical plane, when God himself touches humankind for the first time. This event will bring light and shadow together in one place.
Models are seen licking brightly colored candy on a sheet of glass. The video illustrates the moment where clarity becomes abstraction and beauty commingles with the grotesque.
Pandemonium
In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.
Two souls: One seeks to know her life's true essence and the other is haunted by foreign sights of himself, as they both are influenced by an existence beyond human realm—whom continually oversees them across eras, trapping them in a game of time and the unknown.
A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.
A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.
A phone sex operator loses her grip on reality, caught in a hypnotic relationship with a caller making disturbing confessions.
A female hotel employee wanders around different guestrooms and searches for an unreachable dream. Wandering in other people’s dreams, she encounters a mysterious guest and hears a story about a woman who dances deep inside her dream and a dancing procession...
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
A guy named Ray tries to go to sleep and a sasquatch gets into funky business.
Paralyzed by post-grad anxiety, a burned-out Jake spends his last summer beneath Boulder, Colorado's Flatirons. When a mysterious discovery threatens to consume him entirely and plunges him into a surreal nightmare.
Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.
Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.
The portrayal of a gargantuan baby splashing through silver paint.
The word “me” sinking into a bubbling puddle of metallic goo. The piece is about how narcissistic artists have to be to make their work, but by admitting their narcissism, they can at least take some steps to control it.