Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
A young woman forms a bond with three elderly shopkeepers when she teaches them how to swim - even though there are no bodies of water to be found.
Waking up the morning after hosting a party, a man discovers a stranger passed out on his floor. He spends the rest of the day trying to convince her to leave.
Two people, one restaurant, some preconceptions and a bit of fish.
When Wolf refuses to fight his best friend Alexander during a weekly boxing match, the whole village turns against him. He tries to convince Alexander to join him leaving the village, but his overly romantic message runs into a wall.
'Alan Smithee' is a film about a boy growing up. It delves into the darker side of what 'growing up' sometimes means: growing into your flaws, inevitably being met with the errors of your parents, and the necessity to make room for the pain. While Alan is surrounded by what is thought to be the American ideal, all the material comforts that should equate happiness, he learns that sometimes all we are is lost in the woods.
A court-marshalled soldier with a traumatic past helps a young girl from 'lower' caste and an aspiring boxer work towards her dreams despite her hostile environment.
A young man returns to a place that no longer feels like home. Along the way, old melodies echo through memories he can’t outrun.
Hannah returns home to face her dysfunctional and emotionally-repressed family after her attempted suicide. Her journey towards healing intertwines with the humorous clashes and unique bonds within the family.
A gifted but insecure woman is in for a transformative experience when she enlists the help of an enigmatic con artist to recover her stolen car.
A trans rocker girl getting by with petty credit card fraud is left to question who she wants to be when her latest target surprises her with an unforeseen proposition.
A young man from a remote village dreams of launching his own airline service. However, he must overcome several obstacles and challenges in order to be successful in his quest.
Sociedade do Caos
After the passing away of his son and Caucasian daughter-in-law, London-based widower Purshotam Agarwal brings up his granddaughter, Namrata, on his own. When she matures, he pressurizes her to get married to Tikamgarh-based Ranveer's son. She travels to India, and much to his chagrin refuses to get married to the boy of his choice, and instead brings back a wealthy male named Romi, who she claims is her fiancé. Little does Purshotam know that Romi is not who he claims to be, and that Namrata has no intention of marrying him either.
A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.
Events in India's history — from the Emergency and the famous Cricket World Cup win to the Punjab riots , unfold from the perspective of an innocent Sikh man Laal Singh Chaddha, a person with a low IQ but high optimism. Laal is able to achieve everything under the sun but his childhood love continues to elude him.
It's 1986, tormented teenager Henry is struggling with his sexuality and abusive home life. Henry sits in his closet contemplating suicide. In a flash of light he is transported to 2016 where he meets teenager Ben — now occupying his room 30 years later.
A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.
When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.