An old-fashioned man well-established in the caste system is shocked to learn that his daughter has fallen in love with a lower-class man.
When a corrupt judicial system lets a drunken driver off scott-free, four gym friends become vigilantes to avenge the death of their trainer.
As Agent Miss 420 springs into action defeat a group of terrorists, she is killed. A reporter intends to investigate the possible connection to the underworld and is kidnapped, so those closest to her attempt a rescue!
Bollywood action comedy film with a lost and found theme, about three brothers separated during their childhood who grew up in three homes, adopting three religions. They meet in their youth to fight a common villain.
Gautami is an Indian Odissi Dancer whose passion in life is dance. Jai Leang is a rising Chinese painter whose paintings are highly influenced by Chinese culture. Jai is drawn to Gautami because of her grace and charm. She pays no attention to him; she doesn't believe in marriage after her father dumped her mother for another woman. Gautami travel worldwide for her shows; it's a deliberate move on her part, and she and Jai lose contact. Gary organises an exhibition of Jai's paintings in India where his search for Gautami begins. He locates her in a monastery. He pleads to make a portrait of her. That night turns out to be fateful.
1975 film from India
A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).
Manohar Das is an only son who frequents nautch girls with his friend Badri. Manohar's father wants his son to mend his ways before it is too late. But Manohar is incorrigible. Finally, his father sends him to Ramgarh with his Guruji so that he is totally cut off from city life and where he can be reformed.
Fate leaves Chandni shattered as her love Rohit disappears from her life. She meets Lalit and they befriend each other until Rohit knocks on her door.
Amidst strictly enforced curfew by Bombay Police during December 1992 following Hindu-Muslim riots, Suryakant - one of four siblings from Malad's Malvani slums, heads home.
At the height of nuclear tensions between India and Pakistan, Arjun and his best friend, Chabia, weigh their options for the future against the reality of life on the streets of Mumbai.
A video camcorder, a store security camera, and concealed cameras candidly expose lives in three loosely linked tales.
Mahadev (Shreyas Talpade) is an unemployed graduate with a Bachelor of Arts from Satna college, who is forced to make a living writing letters for the uneducated people of his village. His real ambition is to become a novel writer. Through his humble occupation, Mahadev has the potential to impact numerous lives. The movie is a satirical, but warm-hearted portrait of life in rural India.
Tum Milo Toh Sahi is not just a romantic comedy... it is three unique romantic stories in one.
The story is about identical twins who are separated at birth and grow up with different temperaments. The twins then swap places.
The kidnapping of a prominent scientist, Ajay Saxena (Nazir Hussain) prompts the Chief of Secret Services (K.N. Singh) to assign flamboyant Agent Vinod (Mahendra Sandhu) to this case. While on this assignment, Vinod meets with Ajay's daughter, Anju (Asha Sachdev), who insists on assisting him. The duo are then further assisted by Chandu 'James Bond' (Jagdeep) and his gypsy girlfriend (Jayshree T.). The two couples will soon have numerous challenges thrust on them, and will realize that their task is not only very difficult but also life threatening.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
A boy from an orthodox Brahmin family is unable to marry the Christian girl with whom he is in love, due to objections from his father.
Shukla, a newly-married rickshaw driver, struggles to connect with his painfully shy bride Lakshmi. Their woes are compounded by his friends’ bad advice and his family’s inability to understand the concept of personal space.
A pregnant Naaz who is given triple talaq by her husband Shahid, can't take the shock and tries to kill herself. She is saved by Rasheed who marries her and gives her a new lease of life. However, when later in life she comes across a triple talaq situation, she chooses to fight it rather than let go.