Bisyo!

A determined Japanese woman gets a job in Korea. She thinks she will be cleaning, but she is taught to massage. When her director touches her inappropriately she runs into the street where she encounters men who take advantage of her and she becomes homeless. She is found by a webtoon designer who uses her as inspiration for his webtoons. Will she become more than his inspiration?

Iwata, cheerleader of a university, Odagiri, a free lance cameraman, and Sekiguchi, a day laborer working on a subway project. As they pass an area dotted with the villas of affluent people, they decide to stop at one to ask the owner to let them put through a phone call. What they seen when they enter the gate makes them draw in their breaths quickly and causes their pulses to begin to race madly – Miki, a lass whose only claim to fortune are marvelous breasts, cute nipples and a figure even every top model dreams of having...

One man and five women?! Chic, innocent, sexy, tough and mysterious, take your pick. Myeong-tae was a hot shot in a stock firm who had everything from looks to a hot body but was fired for a mistake he made and is neglected by his hot shot wife. The women in the neighborhood who are always at home for different reasons, start looking out for him.

Se-min lives alone. He was having a good time with his girlfriend, Mi-ho, when they suddenly feel someone's eyes on them and turn around to see a woman looking at them with a blank face. It turns out the woman is Se-min's mother's friend, Ji-hye. She's packed up her things from abroad and moved back to Korea very suddenly. She'd called her childhood friend, Se-min's mother, and they decided she would live with Se-min for 3 days. Mi-ho is angry about Ji-hye. She tells Se-min to make her leave, but he can't do that and Mi-ho leaves angrily. Se-min and Ji-hye are living together for 3 days. Ji-hye comforts Se-min with some drinks, but he blacks out, only to wake up the next day and retrace his memory to the hot night they had.

Takashi works at a gay bar in Shinjuku but his boyfriend Yuichi is often away working on a cargo ship. Everything changes when new guy Norifumi Aida moves next door...

Elderly people gather in a sauna dedicated to dandruff. Now they just spend their lives meaninglessly, but once upon a time they had a glorious sexual period. Meanwhile, an old man meets an extremely handsome boy in Hatten Park. The boy looks exactly like his old lover... A pink version of "Death in Venice."

The film follows randy college boys Zack and Brian on a trip to Malibu for a party where there's a shortage of boys but a bevy of buxom girls. Beset on the way by car trouble, and various other distractions, the film also follows the journey of Zack and Brian's girlfriends, who follow the boys to Malibu but end up having their own lusty adventures.

The Crackdown on the Back Door of the Old Lady

Joo Seung-gi and Yoo Ah-rin desperately have sex several times a day to have children, but they were not pregnant, so they were tested, and the result of the test was Seung-gi's infertility. After much consideration, Seung-gi asks his fiery friend Yoon-woo to have a relationship with Ah-rin, and after persistent persuasion, Ah-rin and Yoon-woo have a relationship. Afterwards, Seung-gi began to doubt the relationship between Yoon-woo and Ah-rin...

A man stabbed another man with a pair of scissors. The fallen man was his rival designer, Aoki. The main character is a very famous designer who works on Miya-sama's dress. Suddenly the famous designer wakes up, the corpse of Aoki disappeared as soon as he took his eyes off. The anxious designer teacher asks his disciple Reiji for comfort. There is another disciple called Junko present in the home. Next to him is Aoki, who should have died but is alive. Apparently these two are planning something. A designer teacher and two disciples at a villa by the sea. Is it a love-hate drama that unfolds in a closed room? No, that's not all.

Inspired by a street interview about married sex life a TV food show host accidentally finds a way to help his little problem in bed.

The lonely Jeruza lives in a simple isolated house by the seaside with the siblings Cassandra and Ulisses and the family survives by selling handicrafts for a local store. Her husband, Santiago, is a sailor who has been missing for many years. When the stranger Roque arrives at Jeruza's house late afternoon, he tells her that Santiago was murdered in a bar fight. Jeruza lodges Roque to spend the night and they have a one night stand. He then seduces Cassandra, who loses her virginity with him and he convinces Ulisses to have an incestuous relationship with his sister. Jeruza realizes that Roque, who has a dreadful secret, is a destructive being that is threatening her family. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Minoru is dead. However, he was conscious for some reason and could not hide his confusion and surprise. His body doesn't move and he has no senses, but only his ears can be heard. The voice of his son and his wife, who lived together, made him wonder if he was going to night and died in a pitiful way. Even though it was a night out, his liquor-loving boy had removed his squirrel. Her son's daughter-in-law, Maya, came to Minoru, who couldn't yell at him and was amazed. She thought she was a well-made bride and wasted on her son. It also has a sexual meaning. Eventually, I heard the voice of an unknown man, different from her son. Maya called the man "Mr. Matsuda" and began to roar beside his body, uttering a hailless voice. Minoru's desire to see opened her one eye a little. But by that time things were done.

A photographer is tasked to take a photo of a rare flower thriving in the mountain, but he discovers women trapped in a hidden brothel for illegal loggers.

A woman has recently married an adult toy manufacturer. He researches new vibrators in the product development department. She hopes that if she marries such a man, she will be able to use the vibrator as much as she likes and have fun every night, but her husband never uses a vibrator on her. She is extremely dissatisfied with this. Meanwhile, her husband's boss, the section chief, is currently developing an anal vibrator, and in the name of experimenting with it, he only uses the anal vibrator on his wife. Her boss's wife wants him to use a normal vibrator, but she is dissatisfied that he only uses it on her anus. As the wives were talking about this, the new wife expressed her interest in anal vibrators, so they decided to swap husbands and have fun with the one in the front and the one in the back. They immediately decided to swap wives...

One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.

Mi-yeong's boyfriend, Joon-cheol, works at a meat restaurant. On the first day, he is shocked by how Mi-yeong's youngest aunt, Seo-yeong, was so young and sexy back in the day. He captures Seo-yeong's attention, as he's so good at his job. Then one day, Seo-yeong and Joon-cheol have a drink after work and Seo-yeong seduces Joon-cheol, who she's been eyeing for a while...

Yul-i, who has an excellent beauty enough to become a girlfriend after being selected by a famous celebrity, goes on a suicide trip with Seul-i, who has the same troubles as her, and cannot hide her depression when an unwanted video begins to float.

Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.

A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.