During the 1980s, Russia fought a disastrous war in Afghanistan. Shot by a Western crew, the 40 minute film includes footage of combat missions with the Spetsnaz elite units, helicopter gunship pilots from a Kabul-based Air Assault Unit flying missions, the patrolling of the Salang mountain pass and the military hospital in Kabul. Soviet General Lev Serebrov referred to the making of the film as "An experiment in glasnost".
Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
A washed-up music producer finds one last shot at redemption with a golden-voiced young girl in Afghanistan. However, when jealousy gets the better of a disgruntled ex-boyfriend, he decides to oppose the young star with talent of his own.
A soldier is stuck in a combat zone after stepping on a mine.
The War Diary is a contemporary road movie that confronts history with the current reality of Russia, Ukraine, Armenia and Georgia. An extraordinary document leads Hakob Melkonyan to undertake the journey of a lifetime:
Described by some military commanders as the deadliest urban combat since World War II, the battle to drive ISIS out of Mosul as the terror group held civilians captive there was brutal and grueling. Shot over the course of the entire nine-month fight, this vivid documentary follows the experiences of four young soldiers in a team of Iraqi Special Forces tasked with leading the battle.
On October 24, 1940, Philippe Pétain met Adolf Hitler in Montoire and led the French into collaboration with the Nazis. A black page in the history of France, written by a man whom many then considered a hero: the winner of Verdun.
At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.
Six years ago, U.S.-led forces drove the Taliban from power in Afghanistan for providing sanctuary to al Qaeda terrorists. Now, these Islamist militants are back.
Combat has taken its toll on Rambo, but he's finally begun to find inner peace in a monastery. When Rambo's friend and mentor Col. Trautman asks for his help on a top secret mission to Afghanistan, Rambo declines but must reconsider when Trautman is captured.
A Danish officer, Michael, is sent away to the International Security Assistance Force operation in Afghanistan for three months. His first mission there is to find a young radar technician who had been separated from his squad some days earlier. While on the search, his helicopter is shot down and he is taken as a prisoner of war, but is reported dead to the family.
Examines documents and traces of the atrocities that took place at the Auschwitz concentration camp. Years after the end of the war, expert analysis of the remnants of these documents has helped shed light on the stories of prisoners.
La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.
Marzia, My Friend is the story of an Afghan woman in her twenties, who like all young people dreams of love, freedom and an interesting job. She dreams of peace and independence, but because she lives in Afghanistan, her dreams are revolutionary. Ultimately Marzia’s story becomes a symbol of the wider struggle of Afghan women: it is about the right to make decisions about your own life. The film follows Marzia’s life from spring 2011 to the end of 2014, when international troops were due to leave Afghanistan.
Longe de Cabul
On the 40th anniversary of the conflict, senior commanders and ground troops reveal how a series of mistakes nearly cost Britain its hard-won victory over Argentina in the South Atlantic.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
A documentary exploring the experience of going to war with a Military Working Dog, trained to find bombs before they can kill or maim soldiers, often at the expense of the dog's sanity.
What happens when you can no longer practice the profession that is part of your identity? You Can’t Stop the Music is a portrait from today’s Afghanistan, where life in the shadow of the Taliban can at times seem surreal. When the Taliban took over Afghanistan, Akbar Adeli was a music student at Kabul University. For conservative Afghans, music had been suspect even before the Taliban takeover, but it soon became a gamble with one’s life – especially since Akbar plays Western pop music.