Director Sampooran Singh Gulzarās insightful comic drama aims to capture the unique perspective of childhood.
Runaway Rinku gets forcefully married to already engaged Vishu. Both don't want this marriage and make a deal to go on their separate ways. The equation gets weirder when Rinku's lover Sajjad shows up and Vishu starts developing feelings for her.
Johny lives a dual life - as a popular starlet and an international criminal wanted by the police for a number of criminal activities. He meets his look-alike Gopi who comes from the village in search of a job; Johny offers Gopi the job; a salary and a house to live in. This job involves playing the role of Johny so that the real Johny can outsmart the police and commit his criminal activities with ease. He teaches Gopi his mannerism and etiquette with things going as planned. But Gopi eventually gets trapped - both by the police and the underworld criminal gang.
As far as he can remember Harinarain Singh alias Hariya has no knowledge of his birth, parents nor of a family home. During a skirmish with some of Thakur Balram Singh's hoodlums, he lies unconscious at the entrance of a temple with the Poojary in attendance, and an elderly unhinged woman praying to God for his sake. When he wakes, the Poojary tells him that the woman, known as "Pagli" (madwoman) is his very own mother, his father was a farmer, Ram Singh, who died of shock when his land was taken away by Balram and his men. Shortly thereafter Pagli passes away, and Hariya swears to take back his land from Balram. A wily Balram transfer this land in his nephew, Balraj's name, who is known to be a close friend of Hariya's with hopes of creating a misunderstanding between the two friends. When Balraj returns home he accepts this land from his uncle and decides to oppose Hariya with all his might, especially when he finds out that the love of his life, Sharda, is living with Hariya.
Aag Ke Sholay (English translation - Flames of Fire) is 1988 Hindi Language Movie directed by S. R. Pratap, starring Hemant Birje, Gulshan Grover, Vijeta Pandit, Sumeet Saigal, Sripada and Rashmi Inder.
When an honest school teacher testifies in a rape case against a prominent businessman's son, he is psychologically tortured and forced to commit suicide. His young son then takes the law into his own hands in order to avenge his father.
Four dedicated housewives - Shivangi, Mansi, Neha, and Sakhina, whose lives revolve only around their husband and family, decide to escape the suffocating routine life by traveling to Goa for a few days to live life on their terms. They have no idea that their vacation will lead to a series of life-changing events.
Kotwal Saab
Kumar Sen is an artist of eminence, a talented painter, and a renowned sculptor; and like the majority of his clan, he has a sensitive introvert. But no artist can achieve any degree of brilliance in his work. Miss Asha Varma is the only niece of a retired, jovial old pensioner, Ashok Varma, and she is truly the light of Kumar's life. One stormy night, Kumar tries to hold Ashok Varma to his unsaid promise of giving him asha's hand in marriage. But the interview ends in unpleasantness for both of them, as angrily the old man ordered Kumar never to darken his doorstep again. Soon after Ashok Varma is strangled to death. Asha's beau Rajesh is arrested for Ashok's murder. The whole drama unfolds in court and truth prevails, who really murdered Ashok Varma and whether Rajesh is innocent or guilty.
To pay for his sister's marriage, a brother enters into a criminal conspiracy to impersonate the nephew of a wealthy male.
The film tells the tale of Mumbai city and the millions who get off the train at VT station at every second of the day, hoping to latch on to the magic of Mumbai.
Reshma and Shera love each other in spite of the feud that exists between their families. Chhotu, Shera's brother, kills Reshma's family. When Shera gets the news, he plans to kill Chhotu.
After falling prey to underworld, four friends jeopardise their personal lives with point of no return.
The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..
Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.
Four girlfriends go on a trip to Greece and put up in a guest house that is home to a ghost. With no one to turn to and nowhere to go, how do the girls manage to flee the country unharmed?
An orphan makes sacrifices for the family who took him in but subsequently faces humiliation and homelessness.
A traumatized beautiful woman loses her memory in a train accident.
Jhanvi Kaul is on trial for the murder of her lover and employer, Ranjeet Choudhary. A series of prosecution witnesses build a damning case against her - that the two of them had embezzled large sums of money, that she had another lover who is also a local goon and that a witness even saw her throwing the body of Ranjeet over her apartment balcony.
A young woman is married to an older man, who is unable to satisfy her sexual needs. The frustrated woman does not complain, but she starts having recurring erotically-charged dreams of a muscular young man riding a horse.