Braise

This is the story of a poor fisherman, who was looking for and wanted happiness. A quiet family life, filled with the love and care of a woman, was not enough for happiness. Happiness is luxury, wealth... thought the fisherman.

A boy falls into his prehistoric book and falls in love with a cave girl.

An interesting assembly of people decides to play a deadly game of greed for a suitcase full of money.

A bunch of vain TV snippets put together in a weird musical way to make you feel something.

Emiko, a young Japanese girl, discovers the secret behind the most respected tradition of her village.

Gus Patatax runs a chip shop in space. In front of him is a huge Fast Food. Gus must satisfy his only client, the competitor opposite. The latter wants to humiliate Patatax and disrupts the gravity machine of the fries stand; it forces Patatax to cook in "zero G".

This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.

Il-ho, a satellite girl, wants to learn about human emotions, and crash lands on Earth. She transforms into a human girl and tries to help Kyung-chun after he is transformed into a milk cow.

In this stop motion sand animation, a lone hunter undertakes a search for a missing boy deep in the snow covered mountains. THE HUNTER premiered at SXSW in 2012, has featured in competition at over 50 international festivals and won several awards including the AFI/ AACTA in 2013.

Marcel the shell is out of sight.

After their husbands’ defeat, a group of viking women decide to fight the Scottish enemies to provide for the need of the clan.

Wachiwi and her little brother Peopeo live alone inside a fenced garden. While Peopeo dreams of novelty, Wachiwi determines the boundaries that should ensure their protection.

Lu and Wei live in a village in rural China. The young girls often go to the nearby river to play or fish with their fathers. The river has a special meaning for them because China’s one-child policy has led to some parents drowning their newborn daughters there.

Two underground smugglers in a modified rally car transport an unwilling hostage across a contested border.

What is at the bottom of this dark hole, which a child's tear has dug in the sheet of paper? What are these strange hieroglyphs written on this board? It's not easy to be a schoolboy when letters and words get mixed up! It's not easy to make people recognise your different... Underneath it all, there are these assessments! Below fifty, you don't pass! So you have to hang on to stay in the race.

A funny twist on the famous fairy tale about the Wolf and the Seven Little Goats.

Once a fragile ballerina Olya meets a rude and gloomy boxer Evgeny. The contrast between the worlds of the heroes and their worldview is so striking that the very possibility of intersection of heroes appears as a miracle. Are the heroes ready to accept the same timid feeling that arose between them? Will they overcome everything external and superficial, behind which fragile loving souls are hidden.

Sink is set in Tomioka’s brightly coloured yet worn and grubby surreal world, where on this occasion we see commuter trains packed with deep sea divers reading pornography. Sealed off behind their protective shells from any real human contact, the commuters are clearly inspired by Tomioka’s experiences on Tokyo’s underground but perhaps represent everyone who shuts themselves away behind iPods, computers and books, afraid of real face-to-face human interaction.

Ever wonder what is inside a Rubik’s Cube?

A short animation set to and inspired by The Cure's One Hundred Years. Max Anderssons debut animation film won 1st Prize at Melbourne international Film Festival, 2nd Prize at Los Angeles Animation Celebration and a special prize at Berlin Film Festival.