After encountering Lensface at the 2019 Unnamed Footage Festival, Filmmaker Travis Z. (Cabin Fever 2016, The Midnight Man) became obsessed with the voyeuristic cryptic, and spiraled into madness, leaving only this bizarre collection of surreal and horrific footage.
A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.
A lyrical story about love and death, realized as a message.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
Five years in the making, Lawrence Jordan's feature-length "alchemical autobiography" Sophie's Place takes as its inspiration the story of the Greek goddess of wisdom, Sophia. Writes Jordan, "I must emphasize that I do not know the exact significance of any of the symbols in the film any more than I know the meaning of my dreams... I hope that the symbols and the episodes set off poetic associations in the viewer. I mean them to be entirely open to the viewer's own interpretation."
Saw and imagined in the children's fantasy the story of grandmother of Christ and the Apostles a little girl. Today few people remember that just a few decades ago in the village houses next to the icons you could still see the popular prints on religious themes. They finally disappeared from use only in the 60-ies of the last century. Of course, their creators were not professional painters or connoisseurs of theology. Drew, as best they could, she felt, not knowing neither rules nor laws. Simple uneducated people, nuggets, sought to glorify God with their creativity, that resonates in the hearts of those of peasants or artisans as they are.
"Time, forward!" - two orchestral suites by George Sviridov, published for the first time in 1968 (first suite) and in 1977 (second suite). The suites were created on the basis of music for the film "Time, Forward!" By Mikhail Schweitzer (based on the novel of the same name by Valentin Kataev, shot in 1965, released in 1966), dedicated to the construction of the Magnitogorsk Metallurgical Combine. From the first suite, the most famous part is "Time, forward!". Subsequently, it was used in a number of films, in television and radio programs, documentary films about the first five-year plans, industrialization, and post-war reconstruction. Sergei Oskolkov composed his suite: "Time, back!" The film is dedicated to the 100th anniversary of the revolution in Russia.
A railway crossing guard and his wife live in a routine of total isolation and uneventfulness.
Coming out of an accident with amnesia, Sophie Bauer tries to reshape herself in the eyes of those who knew her best.
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
The Alchemist assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept's intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.
Organized in 12 discrete chapters, Sixty Six is a milestone achievement, the culmination of Klahr’s decades-long work in collage filmmaking. With its complex superimpositions of imagery and music, and its range of tones and textures at once alluringly erotic and forebodingly sinister, the film is a hypnotic dream of 1960 and 1970s Pop. Elliptical tales of sunshine noir and classic Greek mythology are inhabited by comic book super heroes and characters from Portuguese foto romans who wander through midcentury modernist Los Angeles architectural photographs and landscapes from period magazines.
A portrait of a recently vacated home, the film evokes both memory and the lingering presence of past inhabitants. Through precise, enigmatic sound–image construction, Beavers crafts an intimate meditation on art, existence, and the search for meaning.
Black people, red dwarfs, idols on bronze steeds, shadow of geniuses and heroes. This is not story about Hades from an ancient history textbook. This is Sankt-Petersburg In mystical literary tradition such as he is. A pomposity, an open space and - deathness. There is no gleam in the sky, Neva looked like poured by a lead, a crude air presses and can not pass through lungs, which are already struck by bacillus Kochii, and there are around ominous frights, threatening to punish for an unknown offence. And even white nights are bad. It looks as if you can meet phantom of a Poet which was tortured at thirtieth years of any of the last centuries. Be careful with monuments. They fond of walk along town quays (as told us Poushkin - he brings luck!). And do not trust this Neva prospectus. City - phantom, evolved from a bog which is refuge of evil spirits. Brilliant St.-Petersburg.
A satirical take on President Salvador Allende's Popular Unity process prior to the 1973 Chilean coup d'état. The film is made up of a series of short stories, in which different worlds cross paths.
Turquoise and maroon-toned thin lines of paint are interspersed with variously toned circular "watermarks" of blotched paint giving-way to multi-colored brush strokes and finally fulsomely darkened and thickened brush-strokes which then thin to something akin to the beginning.
Interplay of toned rectangular shapes, vertical and horizontal and diagonal lines in juxtaposition with hardened darker shapes which gradually shift tone and lighten until ending on thin blues.