Beyoncé - Their Fall Our All

In Leo's world, people have a single expression face. Leo wears the mask of impassiveness. Invisible to the beautiful Suzie, he will have to employ an artifice to be noticed by her.

Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.

A mysterious and violent encounter sends a dog on a night of adventure and possibility.

An unlucky dude encounters a sticky situation after accidentally swallowing bubblegum.

The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.

This clever bit of balderdash lifts the lid on an original tale about a hijacked hairpiece, a gang of larcenous leprechauns, and a budding romance.

The second of three pilot shorts that eventually became the 1989 movie Little Nemo: Adventures in Slumberland.

A short story about a young witch, Alyssa, so envious of the genuine beauty and sweetness of her twin Alexya, that she seeks to destroy her.

A boy is by an accident a member of a crew that is going to travel to the moon.

Nick and Janine live in bliss until her ex warps time to try to tear them apart by using Nick's old girlfriend. As Nick's memories and reality disappear, he must decide what he's willing to sacrifice to save -- or let go of -- everything he loves.

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

In the near future, a young animator is offered what should be her dream job, but, when she discovers the truth of the modern 'creative' process, she must make a hard choice about her passion for film.

A professional cellist has an encounter with a stranger on the subway which has unexpected and far-reaching ramifications on his life.

Wayne gets a new rookie partner, Lanny, after his previous partner got the promotion he wanted. Lanny has to remind Wayne of the Spirit of Christmas and the importance of being an elf in Santa's Prep and Landing elite unit.

After tragedy strikes, a meek Ruby Oliver enters a broken VR game for a last chance to see the dead. Little does she know that this game treats all girls as a virus as she fights to save herself.

Meeper and the ChubbChubbs go to the North Pole; when Santa Claus is injured and can't deliver his presents, he is replaced by Meeper.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

S1NGULAR is a retro-psycho thriller about our sometimes narcissistic / sometimes solipsistic relationship to technology, ourselves and how we can evolve with it or succumb to its overreaching power.

Misha observes the area with binoculars. In the infinite white, he notices Gia, as lonely as himself.

To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.