Ich will mein Glück zurück

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

Sheltered rich girl Charlene has an over-protective mother who insists that her daughter should marry a rich doctor. After Charlene's psychic predicts that her future lover is named Steven, she heads to L.A. to search for him.

Heli Valkonen is desperately in love with her husband. But Matti is just not in the mood. He is only interested in playing computer games, dressed in worn out fleece pants. For him, a shoulder massage is the highest form of intimacy. When subtle hints, nice words and fetching clothes won't help, Heli resorts in direct, and increasingly direct action - in vain.

Tanguy is 28 years old and still living with his parents. They think it's time he moves out. He doesn't, so they hatch a plan.

Two young women in the world – a reunion weekend in Melbourne. Em’s on a break, Jessie’s always been chill. Dialogue like a babbling brook, sweet, smart, banal to heavy and back again, honest and unafraid of pathos. A generation of happy wounded souls.

Controversial director Angela Chan explores the "La Cage Aux Folles" demi-monde that thrives in today's Hong Kong, but which has never before been portrayed in a major movie. Alex To plays a handsome fashion designer trapped in a tangle of ambiguous relationships that becomes even more complex when he falls for a beautiful D.J. (Cecilia Yip) who, with the help of her best friend (Cherie Chung), is trying to get out of an arranged marriage. This film looks and sounds like a comedy, but has some serious comments about a veiled segment of Hong Kong.

When aspiring filmmaker David is mandated by a judge to attend a social program at the Jewish Community Center, he is sure of one thing: he doesn't belong there. But when he's assigned to visit the Brooklyn Bridge with the vivacious Sarah, sparks fly and his convictions are tested. Their budding relationship must weather Sarah's romantic past, David's judgmental mother, and their own pre-conceptions of what love is supposed to look like.

Lucy and Jane have been best friends for most of their lives and think they know everything there is to know about each other. But when Jane announces she's moving to London, Lucy reveals a long-held secret. As Jane tries to help Lucy, their friendship is thrown into chaos.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.

Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.

Billie and Hella, an unlikely female couple, travel to Apulia in Italy: while Billie sacrifices herself in selfless aid, Hella is mainly looking for fun.

Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.

Anna is persuaded by her boyfriend Paul to move from Berlin to his home town of Imma. What the notorious soccer hater doesn't know, however, is that joining his best friend Steffen's law firm is just a pretext. In reality, Paul and his buddies are there to save the soccer club he co-founded, Eintracht Imma 95, from relegation. Anna soon realizes that the players' wives have nothing to say to their soccer junkies: Artificial turf in the bedroom, Effenberg bedding and weekends on the soccer pitch. When she finds out the real reason for the move, she mobilizes her fellow sufferers to counter-attack after a fierce bout of frustration and challenges Paul and his friends to the ultimate duel on the soccer pitch. The bet is on: women against men. If the women win, soccer is over - and Paul has to go back to Berlin with Anna. Forever. If the men win, there will be no more complaining.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.

Dramatization of the true story of the so-called Willmar Eight, a group of Minnesota bank workers who braved freezing conditions whilst picketing their branch in a struggle for union rights.

The story of three couples, one of which just broke up, one that seems to be about to, and one perfectly okay. They are all friends, and from time to time, they gather to talk about everything. One time, they gather for dinner at the second couple's "mansion“— the husband became rich with his business. We see each couple as they prepare themselves for the party and learn a lot about their relationships. At the dinner, they get to talking about recognizing each other's peer with closed eyes and decide to try it, naked.

Sitcom for 1920s cinemas about the Winter family.

A very skilful young architect from Berlin, Lea Winter, who has a promising career, is pregnant with Klaus Arnheim, her head of department, a long-time lover but married and father of a family. At the announcement of this unexpected pregnancy, of course, he only envisages abortion for Lea. However, the young woman hesitates. On the advice of her gynecologist, she decides to leave Ireland for a few days to think and make a decision without any pressure. She finds there a simple, authentic life and is confronted with another rhythm of life, with other values and with herself.