Born in 1918 in San Diego, Williams was a latchkey child from a broken home, raised by a mother more dedicated to the Salvation Army than to her two sons, and by a father who spent more time away from home than in it. Williams found salvation by doing the one thing he loved most: hitting baseballs. In his rookie season with the Red Sox, where he would spend his entire career as a player, Williams batted .327, socked 31 homers and led the league with 145 RBI. Over the next 21 years, despite losing five seasons of his prime to active service as a U.S. Marine Corps pilot, Williams hit 521 home runs, twice captured the Triple Crown, and became the oldest man ever to win a batting title. He finished his career with a .344 lifetime batting average, was the last man to hit over .400 in a full season, batting .406 in 1941, and was a first-ballot inductee into the Baseball Hall of Fame.
Irrepressible writer-comedian Carl Reiner, who shows no signs of slowing down at 94, tracks down celebrated nonagenarians, and a few others over 100, to show how the twilight years can truly be the happiest and most rewarding. Among those who share their insights into what it takes to be vital and productive in older age are Mel Brooks, Dick Van Dyke, Kirk Douglas, Norman Lear, Betty White and Tony Bennett.
The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.
This documentary shows the fishing grounds of the far north. It provides an insight into the hard and dangerous work on a fishing trawler ; laying out and hauling in the fishing nets, processing the fish on board and storing it in the cold store.
In this short film, two starstruck movie fans hire a tour guide and see a plethora of Hollywood stars.
For one-night-only blood was spilled in the mud.
Through horses, a man feels an irrepressible duty to move in harmony with his pain. A film exploring the infinite momentum of life via an energy never destroyed, only transformed.
Parasympathetic irritation is generated in the test animal by subcutaneous injection of muscarine. Salivary secretion, miosis, convulsive evacuation of thin feces and severe shortness of breath as signs of intoxication with a parasympathomimetic. The symptoms of intoxication are reversed by subcutaneous injection of atropine.
Compulsory locomotion and continuous circular movement to the operated side without orientation in case of a onesided removal of the cerebrum and corpus striatum. In case of a doublesided removal there are no spontaneous movements with a normal posture and movement coordination. The dogs' reaction towards external stimuli only.
A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).
Intimate story about the rising career of Gabriela Adam, only with her determination and the support of an institutional educational network, where her family plays a fundamental role.
A look at the Attersee in Austria.
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A film that evokes the period between the end of the First World War and the Great Depression of 1929. For some, it was the golden age of pleasure and the easy life, with memories of Charleston, short-haired tomboys, wild races in a Torpedo, and the dizzying banks of Deauville. For the rest of us, it was a time of illusions, when the carefree post-war era did little to conceal the profound upheavals that were shaking the world: the Soviet Revolution, the establishment of Fascism in Italy, German rearmament, a changing China, and finally the great economic depression of 1929, which took on the proportions of a global catastrophe.
The start of a long-term observation of the Bronnmann family from Cologne, who have seven children - what are their concerns, plans, and dreams?
Capturar (Las 1001 novias)
1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world.
Bronx, New York, November 2019
A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.
In this video essay, the filmmaker reflects on the contrast between himself and the space around him, a student dormitory.