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Much Ado About Nothing is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623. Much Ado About Nothing is generally considered one of Shakespeare’s best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. Like As You Like It and Twelfth Night, Much Ado About Nothing, though interspersed with darker concerns, is a joyful comedy that ends with multiple marriages and no deaths. Also known as "Globe on Screen: Much Ado About Nothing".

In the year 1590, the mighty warlord Toyotomi Hideyoshi is close to fulfilling his ambition of unifying all of Japan under his banner when he comes across unexpected resistance in the form of a floating fortress known as Oshi Castle. Narita Nagachika, a frivolous hedonistic fellow and unlikely candidate for the position of rebel general, finds himself in charge of defending the castle. His odds? An army of 500 men to combat Toyotomi Hideyoshi's army of 20,000.

Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love -- and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.

Shakespeare wrote this fantastic comedy in 1594. It features Lysander and Hermia, whose love is thwarted by Hermia's father, who wishes to marry her off to Demetrius, himself loved by Helena. In a magical forest, the couple cross paths with Obéron, king of the elves, who is quarreling with his wife and in possession of love potions.

Puck is introduced to the twentieth century and is as amused by the contemporary obsession with television as he was by the lovers' antics.

Millionaire conservative Bob Roberts launches an insurgent campaign against incumbent senator Brickley Paiste, firing up crowds at his rallies by singing '60s-style acoustic folk songs with lyrics espousing far-right conservative social and economic views.

An adaptation of the classic, "The Prince and the Pauper" is the retelling of Edward Tudor and young Thomas Canty, two amazing look-alikes caught up in imperial intrigue and scandal. In fleeing from his violent father, Tom stumbles into the palace courtyard, and is seen by young Prince Edward, who takes him in. Each desiring to see what the other's life is like, the boys impulsively switch identities... little knowing what disaster lies ahead at this fault of thought. And soon Thomas becomes a pawn in the hands of Edward's malicious and greedy uncle, who would have the kingdom for himself.

Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.

Henry VIII has just married Marie of Normandy, and is eager to consummate their marriage. Unfortunately for Henry, she is always eating garlic, and refuses to stop. Deciding to get rid of her in his usual manner, Henry has to find some way of doing it without provoking war with Marie's cousin, the King of France. Perhaps if she had an affair...

Shakespeare's plays were intended not to be performed by men only, it turns out, but rather by buxom young women in various stages of undress. Such is the premise of this low-budget vehicle which alternates between scenes of women stripping while performing scenes from the Bard's works and mock interviews with the cast and crew.

Four young people escape Athens to a forest where the king and queen of the fairies are quarreling, while meanwhile, a troupe of amateur actors rehearses a play. When the fairy Puck uses a magic flower to make people fall in love, the whole thing becomes a little bit confused...

Two pairs of identical twins are separated following an unfortunate incident. However, years later, their lives intertwine, leading to confusion and misunderstandings. Based on William Shakespeare's 'A Comedy Of Errors'.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.

The film is set in 1521 Antwerp, in a Europe ravaged by religious wars, and during the early years of the Reformation. It tells the story of the twelve year old, Falko Voeten – a printer’s son. When Falko’s father, Klaas Voeten, a printer of forbidden literature, is caught by the Inquisition for printing a letter written by Maarten Luther; Falko is unwittingly propelled into helping his father and into searching for the letter. Threatened by the Inquisition but aided by Marieke, a Catholic orphan girl from the underground sewers, Falko is faced with a race against time if he is to save his father from being executed for heresy.

An American gets a ticket for an audience participation game in London, then gets involved in a case of mistaken identity. As an international plot unravels around him, he thinks it's all part of the act.

Danielle, a vibrant young woman is forced into servitude after the death of her father when she was a young girl. Danielle's stepmother Rodmilla is a heartless woman who forces Danielle to do the cooking and cleaning, while she tries to marry off the eldest of her two daughters to the prince. But Danielle's life takes a wonderful turn when, under the guise of a visiting royal, she meets the charming Prince Henry.

Stowing away after a failed con, a pair of swindlers end up on El Dorado, the fabled "city of gold", where they quickly get in over their heads when they are mistaken as gods by the inhabitants.

In 16th century Rome, Rampín, a friendly and shameless rogue, exploits his arts of deception. He lives with his aunt, Napolitana, a pimp dedicated to the same trades as his nephew. With the arrival of a beautiful Andalusian, Lozana, her fortune enters their house by making her the most beautiful courtesan in Rome. Lozana and Rampín reach an agreement: he will be at her service, taking her lovers home, and she will treat him like a king and give him the best, something that others will never have. But one fine day, Don Sancho, a handsome Spaniard, falls in love with her.

Two boys – the prince Edward and the pauper Tom – are born on the same day. Years later, when young teenage Tom sneaks into the palace garden, he meets the prince. They change clothes with one another before the guards discover them and throw out the prince thinking he's the urchin. No one believes them when they try to tell the truth about which is which. Soon after, the old king dies and the prince will inherit the throne.