Leave, Thus Love Me

Les Filles Aux Mains Jaunes

In 1971, a young woman moves from the French countryside to Paris and begins a passionate love affair with a feminist leader.

In 1960s San Francisco, bright and talented catholic school girl Celina Guerrera survives a difficult home life by following the rules. That is until an indiscretion creates a series of devastating consequences. As Celina faces the compounded obstacles of being young and alone, she sets out to rise above the oppression of poverty and invest in a future that sets new precedents for the time.

Minja, a 19-year-old girl leaves her provincial town after her affair with the professor of drawing in order to avoid the scandal. In the big city, she meets Nenad and changes under the influence of love.

A mysterious woman returns to her mountain village home to confront her painful past. As she tries to uncover the long-buried truth, the local villagers accuse her of witchcraft and murder.

The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.

A young digital influencer, struggling with his own traumas and social pressures, faces a crisis of identity and loneliness as he tries to reconnect with life and discover a path to redemption.

Les Champs de la colère

The Impossible Dream" is an animation film produced by the United Nations (UN) in 1983, together with Dagmar Doubkova of Kratkty Films, Czechoslovakia. The film takes a wry humorous look at a problem faced by women everywhere: the double-workload of a full-time job and being a housewife. The film features an average family with a baby and two school-age children. Both parents work outside the home. The woman puts in the same hours as her husband, for less money.

A prom queen-to-be must break free from her small town’s ominous legacy of prom queens who die after their crowning.

Three teenage girls living in the village of masculism, where life is absolutely crap, what are they gonna do?

Fran, a seven-year-old boy, walks with his mother through the suffocating morning of Buenos Aires. They are headed to a courthouse, where Fran must testify in a case involving his father.

Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.

63-year-old Dolores—a teacher, a wife and mother—has always lived up to expectations. Her life in Barcelona is stable but suffocating: a dull marriage, a grown son about to make her a grandmother, and yet another Christmas far from her hometown. On Christmas Eve, something snaps. After feeling provoked, she assaults a man in public — an impulsive, violent act that seems completely out of character. Suddenly she’s thrust into a hostile system that puts her sanity and womanhood on trial. The world says she’s lost control, but something deeper has been set in motion.

A wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad-school. There she meets many self-confident women who help her find her own voice.

A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own five children and forces her mother to take the role of a mother.