Unjustified

Dash Akol is greatly respected in Shiraz as an honorable man who has lost his family's money through helping his friends. He has an enemy, however, named Kaka Rostam, a mean and spiteful person. Dash Akol, who is in his forties, falls in love with Marjan, daughter of the late Haji Samad, for whose estate he is the executor. But he keeps his love secret. One day a suitor asks for Marjan's hand, and Dash Akol considers it against his code of honor to refuse. On the night of the wedding, Dash Akol hands over responsibility for the family to the bridegroom. As he is leaving the house, however, Kaka Rostam is waiting for him and a fight ensues. Kaka Rostam stabs him in the back, but Dash Akol succeeds in killing him. On his deathbed, Dash Akol sends his parrot to Marjan with the confession of love he has taught it.

An urban guerrilla, wounded after a bank robbery, seeks refuge with his childhood friend—only to discover that his friend has fallen into addiction. The guerrilla hides in his house and gradually begins to influence him, helping him regain his courage and strength. Eventually, he entrusts the stolen money to him…

Prince Ehtejab, one of the last remaining heirs of the Qajar royal family, is suffering from tuberculosis, which he knows is fatal. He spends his last days alone in the magnificent rooms of his wintry palace, from where he recollects the glory days of his ancestors as well as days of degradation. Among the latter are the gruesome manner in which his cruel grandfather murdered his mother and brother, and the way that he himself caused the death of his wife.

Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

The mirror man

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

25-year-old Arghavan lives with her parents in Tehran, and intends to marry her fiancé, Hesam. One day, her short stories win her a grant to attend a writing workshop in Germany. Soon before she is to leave, however, Arghavan is abducted and raped. In a strict, conservative society where young women are expected to be virgins before marriage, this is a social catastrophe. Plagued by gossip and finding little solace, Arghavan's life begins turning into a nightmare.

Jalil is 17-year-old boy living with his Iranian family in a suburb near Helsinki. Though he has lived in Finland all his life, it seems hard for him to find acceptance among the "native" Finns. At home he faces the opposite problem. His parents demand him to respect Iranian cultural traditions. Jalil is about one day in the life of a boy standing on the edge of two cultures. On this summer day big things are bound to culminate; religion, identity, love.

Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.

Revenge may have irreversible consequences.

A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.

A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

Hamid is an Iranian teenage boy whose sexuality brings him into conflict with his family's Muslim beliefs.

Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.

A filmmaker named Hadi is sent to Croatia to complete his research for a film. Aziz, Hadi’s friend, gives him a cassette tape, a piece of image, and a half a piece of plaque in order to find a girl named Fatima. Alongside a Farsi-speaking Bosnian woman, Hanifa, Hadi begins his quest for Fatima.

Leyla and her six-year-old daughter Nila live in the holy city of Mashhad in Iran. Nila is the result of a temporary marriage, which allows a man to marry a woman even if he is already married. Children born from such a relationship are legally non-existent. As long as the father does not recognize the child, no birth certificate can be issued and Nila cannot attend school. The documentary depicts Leyla's tireless efforts to clarify Nila's legal status in order to offer her a perspective for her future. In a never-ending bureaucratic battle, Leyla fights not only against the legal system, but also against a judgmental society.

In the middle of a midlife crisis, Sacha leaves his girlfriend and moves into his grandparents' Airbnb. There he meets Marjan, a married Iranian woman. The involuntary encounter becomes a moment of new possibilities.

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.