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A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.

In the great Disney tradition of wild family fun, a young Kurt Russell stars as Steven Post - an ambitious mailroom clerk at a second-rate TV network. With his eye on the boardroom, and getting nowhere with the studio's top dog, he makes a career-changing discovery. His girlfriend's lovable pet chimp can pick a hit show every time! His secret for success turns into a madcap monkey business when he makes vice president and jealous rivals want in on the act. Ride along with narrow escapes and a classic cast featuring Joe Flynn and Harry Morgan in a comedic climb up the corporate ladder that will leave you howling for more!

A campy look at the making of the 1964-67 TV series, as told by stars Bob Denver, Dawn Wells and Russell Johnson, as well as in flashbacks (actors play the castaways). Bob/Gilligan: Jon Wellner. Dawn/Mary Ann: Samantha Harris. Tina/Ginger: Kristen Dalton. Alan/Skipper: Eric Allan Kramer. Russell/Professor: Michael Wiseman. Jim/Mr. Howell: Steve Vinovich. Natalie/Mrs. Howell: E.J. Peaker. Sherwood Schwartz: Aaron Lustig.

A documentary of absurdist humor that delves into the immaturity of Witold Gombrowicz, the controversial Polish writer who lived in Argentina and wrote the first existentialist novel.

A playful engagement with memory and moving images, employing experimental visuals, voice journals, and staged dialogs.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Six women in Paris traverse the anxiety of the city after dark. A filmmaker struggles to understand the film she is making. A Black single mother refuses the categories imposed on her. A former sex worker reflects on her past. A poet gives up trying for a child. Taking place over a single night, the film intertwines dream, fiction, and reality, liquefying one into the other.

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

In The Slit Throat

Rosa dos Ventos

Bombshell is a revealing look inside the most powerful and controversial media empire of all time; and the explosive story of the women who brought down the infamous man who created it.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

"After a period in intensive care, Britney sets out on a road trip where time becomes entangled. Along the journey, she seeks to understand her relationship with people, with affection, and with her own body."

A young couple, Janna Marks and Matt are invited to a strange house where everyone seems to be a bit too horny and sex-a-plenty is going on in every room. They figure, "When in Rome....." and join in on the fun. As the visits pile up and the months go by, they're invited to talk to the owner. He explains to them a complicated setup--they've been invited to be part of a secret network of "super-lovers" from around the world who provide "sexual entertainment" for high-paying customers, via participation or on a extremely secure television network.

"Getting Lost" is a lo-fi autofiction about Mark, a Russian filmmaker who flees to Berlin. Rejected by film schools, evicted, and stripped of his visa, he drifts to the Middle East. He films his wandering through Jericho's lunar ruins and an olive harvest. Broken, he returns to an alien St. Petersburg. The film is a raw diary capturing the absurdity of failure, exile, and disorientation

Ingrid and Martha were close friends in their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter, and they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme but strangely sweet situation.

A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers, and luxuriates in the language and the theater of their debates, begging the question, "What has television done to the way we discuss politics in our democracy today?"

All I Ever Wanted follows a character moving through fragments of digital life—messages, recordings, mediated experiences—in search of someone who feels both intensely real and just out of reach. As the pursuit deepens, language begins to slip into something mercurial. What begins as a search gradually unfolds into a world of warped digital dreams and material fictions, where what is real becomes a negated question.

At the age of 9, I stopped speaking. It's the year I broke from the inside, raped. I came out as a trans boy years later. I am often afraid of becoming a man who I might confuse for the one who hounded my body. This film is a poem, this film is about growing into the unknown.

An eighteen-step scavenger hunt for people loneliest in their own homes. This animated video collage serves as a survival guide and an ode to the imaginations that protect us. Statement from Daniel Lobb, the Director: Our performance is first and foremost a resource for people who are isolated in unsupportive homes. It presents self-preservation strategies to those who rely on media and imagination to withstand in potentially abusive environments. The composition is based on the writer, Lexie Bean, growing up as queer, trans, and a survivor of incest in Michigan and Ohio, which we’ve all processed through our respective art forms. These iterations of inspiration and reformation ultimately led us to a video collage and sound-score that seek to buoy the main text: an ode to imagination, a scavenger hunt, a survival guide. Our hope is to bolster the viewer’s capacity for imaginative resilience.