Le Tour de France par deux enfants

A travelogue through the remains of São Paulo failing 80s economy, including its in ruins film industry.

The plot revolves around four friends who make travel vlogs and they visit a place at the Dooars surrounded by jungle and hills for their next project and the story starts from here. The serene beauty leads to a journey of self-exploration for them and they rediscover the true meaning of life.

An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.

The Black Oud represents a subtle new direction in documentary. I have used the term 'bio-documentary' to describe this slight, though essential, difference between my film and the majority of personal or experimental documentaries made in the last decade.

The Grove is the second part of Lawrence Jordan's H.D. Trilogy. It continues what began with THE BLACK OUD (again featuring Joanna McClure as the catalyst) and concludes in STAR OF DAY.

In the first of two main segments, the Electric Blue girls, along with Ricky Diamond, are in St. Tropez for more sun, surf, tits and sub-Benny Hill jokes. The second main story ("The Love Machine") is a parody of Back to the Future. Other segments include a brief profile of Brigitte Bardot, a brief look at the girls of the Australian Stubbies Surf Classic (and a wet t-shirt contest), the Electric Blue Dance Troupe and several erotic stories.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

The film opens with a travelogue, showcasing West Lake and the real Mainland Chinese locations used by the film to which only the Left Wing of Hong Kong Cinema had access to at the time. The title character is a young woman raised by her courtesan aunt in the West Lake scenic resort area in Hangzhou. Siu Siu is perused by a local Official, but falls in love with the son of the Prime Minister. They marry, but are separated by the Prime Minister who arranges another marriage for the son. Siu Siu remains at West Lake, where she regretfully uses the desire of the earlier Official to help another of the girls find happiness.

A Day in TOKYO in 1968, Nostalgic bygone era. Planned by Japan National Tourism Organization. Produced by Koga Production. This film was produced to explain Tokyo for foreign tourists.

From dawn till dusk in the bohemian heart of London’s West End. This 1979 portrait of the people and places of Soho catches the neighbourhood towards the end of an era. There's some great footage inside an Italian delicatessen and of assorted street characters. It's a fascinating glimpse into this walled garden of cosmopolitan life on the cusp of the gentrification and commercial interests that have since broken its borders.

The future Edward VIII enjoys a stately procession and visits the Taj Mahal before meeting senior Indian royalty.

The future Edward VIII enjoys receptions, playing polo and hunting tigers on his royal tour.

Two sides of Mysore: down to earth with the field workers and an Indian spectacle for the Maharaja.

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

Coach passengers give their reasons for preferring that type of transport. A group of ramblers visit the Welsh mountains; an angler and his family spend a peaceful day by a country river; a family goes to the seaside; some students visit Oxford during a music festival.

The Norfolk Broads tourist film promotes the pleasures of boating.

Contemporary life in Plymouth in the 1960s – plus some history.

A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.

The opening moments of "Psyche Out" introduce a young boy who craves the adventures achieved in the surf. The boy -- or at least his dreams -- seem like they could provide a recurring framing device for Walt Phillips' third film (following "Sunset Surf Craze" and "Surf Mania"), but that's the last we see of the boy or hear of ambitions. "Psyche Out" contains less poetic musing, travelogue, comic relief or similar stuff characteristic of surf films of the time, in favor of surf action at Malibu, Point Zero, Rincon and Steamer Lane. This is to the benefit of the film.