LOOK

The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.

Persona non grata

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

Misha, Dalton, Jaxon, Hamlet, and David are young aspiring actors who move to Hollywood to follow their dream, but wind up testing their fate with consequences beyond their wildest imagination. Each of the actors have been hand picked by 'The Master'. A dark, mysterious teacher who promises to teach them the ultimate secret to success. Without knowing it, the young faithful dreamers are set to the test of their lives. They are hypnotized, mentally and physically abused and brainwashed as The Master slowly steals away any human instinct and empathy from them and applies a strange animal behavior instead. He calls it his unique acting technique. But in spite of all their hopes, dreams and aspirations The Master is never planning on giving them the secret to success. He has his own dark agenda. He is the hungry wolf in the jungle waiting for the right moment to prey on little girls. Just like the fairy tale of 'Little Red Riding Hood'.

You and AI at the end of the world.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

The exploitation of young men as prostitutes in the district around the Roman coliseum is the focus of Simon Bischoff's documentary and fiction piece that spares no close-up view of male anatomy. This latter trait reveals just as much about the tenor of this film as it does about the body. Several years earlier, Bischoff met the main 17-year-old protagonist here, "Er Moretto," when he was just a 13-year-old runaway. The intervening years show how he changed into a streetwise vendor of sex, and Bischoff also details how the 17-year-old is picked up by a middle-aged man to be his companion. Fiction segments do not fare as well as the documentary aspects of this work, which in the end, seems at least ambiguous, if not questionable, in its intent.

A "Peeping Tom" likes to look through windows at women undressing. We see him as he sneaks a peek at two subjects. The first, a woman dressed in lingerie, is young, shapely and attractive. The second, to be charitable, isn't. That doesn't stop him, and the viewer, from getting an eyeful.

When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.

Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.

when a double agent finds out he is going to be killed, he operates a series of murders.

While doing a story on the intrusion of surreptitious surveillance in peoples' private lives, a television reporter rents some surveillance equipment to get a feel for what it's like to spy.

A young man bumps into a prostitute, who lives with and looks after her wheelchair-confined brother.

A couple plots to murder a random stranger just for the thrill of it, but things turn ugly when one of them decides not to go through with it.

Virgil, a quiet and somber man, rents an apartment overlooking a woman’s home. He watches her obsessively, waiting for the lover who will lead him to his ultimate revenge.

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.

El espíritu del animal

A sudden and mysterious inheritance brings Danny and his friends to Hobb Springs, a forgotten resort deep in the West Virginia hills. Hobb Springs is being looked after under the watchful care of Jackson and Sally, a socially awkward couple who introduce Danny to the long lost family he's never known. A clan by the name of Hillicker. But soon Danny learns his relatives have a different way of living, that for generations, the Hillickers have observed ancient traditions rooted in cannibalism and other taboo rituals.

In this silent film, a hermit living in the ruins of an old castle spies on and grows obsessed with a young couple building a home by the river.

A rich swinging bachelor and his married friend escape to the country to avoid the women plaguing their lives.