An American Girl: Isabelle Dances Into the Spotlight

Nagisa is transgender. She grew up in Hiroshima as a man, but now lives in Shinjuku, Tokyo as a woman. Due to an incident, she begins to live with middle school student Ichika, who is a distant relative. Ichika has been neglected by her mother Saori. From living in solitude by herself, to now living with Ichika, Nagisa develops maternal instincts for the first time.

Video director Jerome Cornuau made his feature-film debut with this showbiz-themed French film. Young Alice (Ambre Boukebza) hitchhikes into the city to seek out her music-executive dad (Bernard Le Coq) but instead becomes friends with a singing star (Ophelie Winter, portraying herself), learns dancing from African trashman Rudy (Ashanti), polishes her singing skills with an assist from vocalist Nathalie (Lea Drucker), and is romanced by producer Jeremy (Patrick Forster-Delmas).

The story of "Chandrettan Evideya" revolves around Chandramohan (Dileep), who is a government servant and also an ardent classical dance follower and his wife Sushama(Anusree) is also a government employee. But the doubting wife keeps track of each and every thing her husband does. Chandramohan is well known among art followers as a good critic of classical dance. His reviews are often published in leading magazines. Considering his close association with beautiful dancers, his wife Sushama keeps close tabs on him by making phone calls every now and then. One fine day, they decide to go for a trip to Thanjavur where they meet an astrologer who tells them certain aspects of Chandramohan's previous life, which forms the crux of the story.

Two dancers, once lovers, now go about their separate lives. Giovanni can't help reliving his first love via a collection of home videos. Louise, now a director, is projecting her bad memories on her production of Romeo and Juliet.

After a brush with the law, Maria has returned to her gritty Bronx roots to rebuild her life with nothing but a talent for street dance and a burning ambition to prove herself.

A Finnish live action adaptation of Hans Christian Andersen's fairy tale, The Snow Queen. The tale centers on the struggle between good and evil as experienced by a little boy and girl, Kai and Kerttu.

Actress JoBeth Williams directed this Showtime family feature starring The Sixth Sense's Mischa Barton for Barbra Streisand's Barwood Films. Barton is Frankie and Ingrid Uribe is Hazel, Frankie's neighbor and best friend. Frankie is an orphan who lives with her imperious grandmother, Phoebe (Joan Plowright), while Hazel lives with her father and older brother. Frankie's mother was a prima ballerina--killed in a car crash along with her father--and Frankie's been following in her toe shoes ever since. Although she's the best dancer in her class, she'd rather play baseball, whereas Hazel's a local activist who'd rather be mayor. The story strains credibility when 13-year-old Hazel runs for office against the middle-aged incumbent, but Frankie's goal is more understandable, and both actresses make their characters sympathetic and believable. It's as hard not to like them as it is not to root for them to succeed.

Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

A larger than life comedy about a dance world diva who inadvertently gets her team disqualified from the big competition and the ridiculous lengths she'll go to get them back on top.

Amalie is the girl who has everything, good looks, money, a boyfriend and a big talent of dancing. One day, her world falls apart and she moves from everything she knows. Then enter Mikael. He is dancing in the streets and Amalie joins him in dancing on the streets, dancing Battles.

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

Eikichi Yamashiro, who is a former contender for the boxing title, works as a manager at a Club Champion owned by his fiancé Natsuko’s father. He lost a title match five years ago as he was besotted by Natsuko, but Eikichi actually cannot give up the dream of the championship. One day, he meets Shuntaro Fuma, who is a punk kid but a promising boxer, and realizes the dream that he himself could never fulfill. Then, they together start to train with the aim of the title. Mari Shiraki is an up-and-coming ballerina under the patronage of Eikichi as well. Eikichi forbids Shuntaro and Mari to be romantically involved with someone during their training, however, they start to go on a date. (source: Nikkatsu International)

Ren MacCormack is transplanted from Boston to the small southern town of Bomont where loud music and dancing are prohibited. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel in the process.

Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."

As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

A free spirited woman dancer, Kamar, finds herself the lonely wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying societys taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.

Prima ballerina takes the stage at the Ópera Bastille, consumed by her own anxiety and stage fright

After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.

Antonius a Kleopatra