I Don't Care

Charlotte Baker is drugged and taken to a brothel by Paul, her fiance, who in reality is a pimp. To find her, Charlotte's family contacts the celebrated detective Bob Macauley.

In this mother-daughter story, a young woman explores her own mortality through art and poetry as her terminal illness holds her back from a normal life.

After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.

On her wedding day, all that stands between a young woman and marital bliss with her soon-to-be husband is surviving the chaos and expectations of family and friends, each intensifying her spiraling panic.

A woman calls a suicide prevention hotline and is put on hold.

Pierre and his wife Anne had a good thing going together, until their son Nicolas was born. Anne traveled with him on all his long truck journeys, and they had frequent and passionate sex. For quite a few years now, Anne has stayed at home to take care of their boy, who is a sickly, weedy little fellow. Pierre is frustrated. Anne is frustrated too but has her almost incestuous feeling for her son to torment her. Even little Nicolas is frustrated, in part due to the knowledge that his father feels that the sacrifice he and his mother made in raising him hasn't been worth the effort. He too has some release in the form of a good relationship with his gigantic dog. When the seething passions of these four discontented mammals reach a crisis point, the result (in this film) is exceedingly ironic.

In this mildly explicit sexual drama, the lovely dancer Annabelle (Delphine Zingg) has a passionate relationship with an older man but eventually decides to devote her romantic energies to a younger man with whom she has more in common. Between sex scenes, and philosophical discussions between friends and lovers about love and relationships, the viewer is treated to shots of the lovely dancer mulling over her life at various scenic locations in Paris.

An unspecified European country ca 1912 in the throws of political upheaval. A man only dressed in black (Jacob, played by Philip Zandén) is hired to assassinate the Interior Minister Joel Birkman (Etienne Glaser) after a particular brutal strike down of a student protest. He takes up work as the minister's bodyguard at his summer residence, and get's entangled in the affairs and politics of the Birkman family.

Tragedy strikes when Heathcliff falls in love with Catherine Earnshaw, a woman from a wealthy family in 18th-century England.

With his elderly grandfather, seven year old Chandra walks through earthquake-hit Kathmandu to visit his mother and newborn sibling in hospital.

The intent of novice director Solveig Hoogesteijn to make a drama about two Venezuelans from opposite sides of the economic and social tracks wobbles and weakens in the telling. Although the two compatriots both live in the capital, Caracas, and both love music, they have a need to go out into the rest of the country and discover their roots. As big-city dwellers, they are limited in their perspectives, though this excursion into other areas of Venezuela may prove more illuminating to them than to a foreign audience.

In a remote island where mourning was settled, a man decreed that there will never be sex or children anymore... The island gets desolate and he decided to send his daughter, Adriana, to the mainland to form a family by natural methods.

Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music.

Based in the story by Robert Louis Stevenson, "Olalla" tells the story of a gothic and decadent family of genetic vampires who need human blood to survive, and where incest is the only way to maintain the family line.

Sarita, a young mother, is at a turning point of her career. Will her ambition and hard work pay off, or will the four walls of the kitchen confine her as is expected by the society she lives in?

A sacrificial passive woman spends her life breeding happiness into her family. What happens when her world of security cracks, shatters completely and her identity dissolves?

In 1866, the Szendrey family gathers for the name-day of Júlia’s sister, Mária, but the event dissolves into bitter grievances and the physical decline of the household. As the dying widow of the poet Sándor Petőfi, Júlia struggles with a failed second marriage while Mária grapples with jealousy over her own husband’s love for Júlia. The family’s fragile unity finally shatters under the suffocating weight of Sándor’s heroic legacy and the pervasive shadow of illnesses.

In search of magic, high school freshmen Clara gets involved with Leo, an older boy, but the fantasy world in her head darkens when Leo takes advantage of her.

Four years after the end of the German Democratic Republic, Katarina Witt, two-time Olympic champion, is planning her comeback to prove to herself and to a united Germany that she still has what it takes. To do this, she has to team up with her former coach Jutta Müller and complete the toughest training of her life.

Originally titled simply Decimo Clandestino, this Lina Wertmuller "miniature" began life as an Italian TV drama. Piera Degli Esposti plays the widowed, impoverished mother of a huge farm family. The woman moves her nine children to Bologna, where their living conditions are deplorable. To avoid a hike in rent, she tells her landlady (Dominique Sanda) that she is living alone. Also known as To Save Nine (a curiously brief English-language title for a Wertmuller film!), IL Decimo Clandestino was expanded from 60 to 90 minutes for its theatrical release.