Histoires de l'âge d'or islamique

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Fourth film in the Mafrouza series. Two events mark the early winter in Mafrouza: the birth of a boy and a young woman's engagement. Within their homes, the intimate and the holy, cries, whispers and rituals: individuals' destinies are taking shape. Amidst the familial agitation, each finds their own way to live. Through their actions, but also through what they say, summoning the imaginary to reflect on reality, make it livable, and speaking of life, death and gender roles.

"Nasr Hamed Abou Zayd is not Godot, and the expectation promised by the title is misleading: this great gentleman is present in almost every shot. Who is he? An Egyptian Muslim theologian of international reputation, he has published exegeses of the Koran which led to his being condemned for apostasy. Exile, forced divorce from his wife Ibtihal Younes since his marriage was subject to annulment, separation from his son, such are the consequences of his writings. But Abou Zayd has not given up, residing in Leiden in the Netherlands, he continues, always on the road, to give conferences, to explain with great serenity his positions in public debates, on television, etc. C It is this particularly impressive dedication that Mohammad Ali Atassi's camera recorded over a period of six years.

Historian Tom Holland traces the origins of Isis’ barbaric and sadistic violence which it claims is justified by the tenets and scriptures of Islam.

Challenging the Western view that Islam inherently represses women’s rights, journalist Samira Ahmed travels across the world examining Islamic customs as they relate to women. In this two-part series, Ahmed explores whether current Islamic customs such as polygamy, honor killings, and requiring women to wear the hijāb (veil) are actually rooted in the Quran.

Against the backdrop of Pakistan's elections, this film follows the rise of powerful cleric Khadim Hussain Rizvi, on a mission to preserve the country's blasphemy laws, which prescribe a mandatory death sentence for disrespecting The Prophet Muhammad (P.B.U.H) and life imprisonment for desecrating the Holy Quran. With millions sympathetic to his goal, Rizvi silences anyone attempting to change the law by condemning them to death. As he pushes for more power, Rizvi decides to run for office in the upcoming general elections, and those accused of blasphemy or those who oppose the blasphemy laws- whether targeted minorities, liberals, and opposing Muslim voices - become the pawns of his ambition.

A short film in which Quran verses are shown alongside images from terrorist attacks.

The Koran is one of the most important works ever written. For almost one billion people worldwide, it is the Holy Scripture, the word of God and his prophet. For others, it is a historical artifact that has left an indelible imprint on the world. DECODING THE PAST: SECRETS OF THE KORAN probes the heart of the work that many outside Islam find mysterious. This feature-length program examines the history of the verses and their implications for modern times, as well as the striking similarities and differences between the Koran and the Bible. Trace the influence of the Koran from the Golden Age of Islam to the modern rise of jihadism, and hear from top Islamic scholars and holy men as they share their insights into the work that lies at the foundation of one of the world's great religions. THE HISTORY CHANNEL provides the perfect guide to understanding the fundamental work that has shaped the Muslim faith for over 1,400 years, and will long continue to influence modern history.

This exclusive documentary follows the journey of some of the worlds leading Muslim thinkers in a gathering that took place at the heart of an ancient Islamic city It was Habib Umar's first trip to the Maghreb and the film captures his travels and responses as he journeys through a land brimming with spirituality, knowledge and vast history. From the serene courtyards of the University of Qarawiyyin to busling souk streets, from walled city of Fez to the mountainous sanctuary of Moulay Idris, the film shares the spiritual secrets of the places and their stories. The beauty of the great city of Fez, founded by descendants of the Noble Prophet (May Allah swt shower blessings upon him), is shared by a visitor who is himself a direct descendant of that great household. The result is a moving meeting of two traditions that form the very core of great Islamic narrative.

In times of conflict, a companion can be the final thread linking one to human connection. In Call of Duty: Warzone, communication is fractured, making it even harder to truly know those you play with. Dialogue is just a series of terse exchanges of orders and instructions; everything revolves around the game, everything is subsumed by war. Forming a meaningful connection with an anonymous player seems nearly impossible. In The Zone, the protagonists confront this challenge, pushing beyond the fleeting interactions dictated by random matchmaking. They seek to reclaim their humanity, engaging with pressing themes — religion, terrorism, and representation — subtly embedded in the game’s mechanics and geography.

This short 19-minute documentary is an intimate and moving exploration of the profound and far-reaching impact of surveillance on Muslim American individuals and communities. Premiering at the 2017 Tribeca Film Festival, WATCHED is told through the personal experience of two women, both coming of age in New York. The film charts the devastating toll of surveillance and reveals the scars it leaves behind.

Taken from DVD Volume 9, this documentary features the legendary Ustad Nusrat Fateh Ali Khan live in concert during his 1985 UK tour. Recorded at Wolverhampton’s Wulfrun Civic Hall on October 25, 1983, the film captures his mesmerizing performance. Known as the "Shahenshah of Qawwali," Nusrat revolutionized the Sufi devotional music tradition with his powerful vocals, intricate improvisations, and deep spiritual expression. Originally produced by Oriental Star Agencies Ltd. in 2004.

Oriana Fallaci, the Italian journalist who is noted for her provocative interviews, interviews the leader of the Islamic Revolution, the Ayatollah Ruhollah Khomeini, on Sept 12, 1979. For 10 days Oriana Fallaci waited in the holy city of Qum for her interview with the 79 year old Ayatollah, who is the de facto ruler of Iran. On Sept. 12, she was led into the Faizeyah religious school, where Khomeini holds his audiences. She was accompanied by two Iranians Nyho and Iran prime minster Banisadr who had helped set up the interview and who served as translators. Oriana Fallaci, barefoot, enveloped in a chador, the head to toe veil of the Moslem woman, was seated on a carpet, when the Ayatollah entered, and the recorded interview could begin.

This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.

For a gay filmmaker, filming in Saudi Arabia presents two serious challenges: filming is forbidden in the country and homosexuality is punishable by death. For filmmaker Parvez Sharma, however, these were risks he had to assume as he embarked on his Hajj pilgrimage, a journey considered the greatest accomplishment and aspiration within Islam, his religion. On his journey Parvez aims to look beyond 21st-century Islam’s crises of religious extremism, commercialism and sectarian battles. He brings back the story of the religion like it has never been told before, having endured the biggest jihad there is: the struggle with the self.

Flight Number 884 is a film about the wishes and desires of Muslim immigrants. Every year thousands of bodies of Turkish immigrants are flown back from Europe to small villages - villages they had left long ago. The film follows the dead body of a Muslim on its last journey from Vienna to a graveyard in Turkey.

In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.

Unwittingly (and politically), this film ends up being self-reflective. The French filmmaker Sylvie Ballyot was shooting a feminist documentary in Yemen when her tapes were requisitioned by the authorities. Adrift in unknown territory with the only help of a translator, Ballyot carried on, shooting images of herself in public spaces –the only woman in a crowd of men. Her reactions in a culture she is not familiar with get combined with interviews with students who talk about love, family, and sexuality.

Two Muslim converts promoting women's rights through music… and finding their own voices on the way. A documentary film about 'Poetic Pilgrimage'.

When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?