Girón: el hombre que murió dos veces

In the mountains of Madrid, Spain, a railway track on an abandoned bridge and a poem erased from the wall of a ruined building reveal a deliberately silenced story: the system established by Franco's dictatorship after the civil war (1936-39) that allowed hundreds of companies to use thousands of convicted Republicans as slave labor.

At the beginning of World War II, a mineral became necessary for the German state: wolfram. Galicia became “El Dorado” for many people who were looking for easy money and/or work in those hard years of the Spanish postwar. Miners, adventurers, guerrillas, civil guards, political prisoners, etc., lived together in the Galician mountains and intertwined their lives. This is the story of those people told by themselves.

It symbolizes the experience of people without any political involvement who suffered repression in Franco's Spain.

During the Franco regime, the prisons are filled with thousands of people with artistic ideals.

Documentary in which ten republican women remember their time in Franco's prisons. “Some put wedges in her nails; my sister-in-law has currents on her fingers and nipples; some have been raped”; “Since they hit first and then ask questions, they hit me.” “Baby, they have given us the death penalty. I told him: but, Virtudes, they will commute you!". These are some of the testimonies of ten Republican women in Franco's prisons that Tomasa Cuevas, a former member of the Communist Party, collected on an old recorder hidden in her bag so that they would not be lost in oblivion.

In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.

Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrades to prevent him from going to Madrid where he could be arrested.

At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.

During the Spanish post-war period, an undertaker kills a person to collect money from the burial. The atrocities of the war and the acts of the past will come to light when a girl discovers the murder and starts blackmailing him.

Spain, April 15, 1939. With the Civil War concluded, and with the intention of celebrating his victory, General Franco attends a dinner with his generals at the Palace Hotel.

France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)

A small village in Huelva, Andalusia, Spain, 1936. Higinio and Rosa have been married only for a few months when the Civil War breaks out. Higinio, being afraid of possible reprisals from the rebel faction, decides to use a hole dug in his own house as a temporary hideout.

Spain, 1949. Narcisa, a novice, arrives at an old convent, converted into a girls' school, to work as a teacher.

While searching for a solution to his serious health condition, David, a renowned neurosurgeon, discovers a sinister secret hidden in the past.

Rafa, a Communist Republican exiled after the Spanish Civil War, returns to his hometown to carry out an attack against the imposed tyrannical regime, but the mission fails and, in his attempt to escape, he kidnaps a lady of high society.

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.

Madrid, Spain. On Monday, December 22, 1947, Charles Vidor's Gilda, starring Rita Hayworth and Glenn Ford, premieres. That same week, as every first Friday of the month, Hauma organizes a peculiar card game in an old tavern.

David Hammons’ singular career covers life in LA during a turbulent 1960s through to his prominence within the global art world today. Key to his work has been an analysis of African American society and its representation within US life. Featuring interviews with eminent artists, curators and critics; a wealth of archival footage; an evocative soundscape by Ramachandra Borcar that includes Marshall Allen, Idris Ackamoor and Shabaka Hutchings; and a reading by The Last Poets member and hip-hop forefather Umar Bin Hassan, The Melt Goes on Forever is a revelatory journey through six decades of art and culture.

In Venezuela, amidst a backdrop of poverty, murder, and corruption, the El Sistema youth orchestra offers children hope and the opportunity to pursue a life of art in spite of the harshness of the society around them. Yet the country’s spiraling collapse and political repression threatens the musicians’ dreams of a better life.

Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.