Choc-Chips

Jerry is a player so talented with verse that he believes it makes him untouchable.

Oswald, the trolley conductor gets stopped in the tracks by a cow who refuses to move. He then faces a steep hill, which the trolley has trouble with. When it finally gets over the hill, the trolley speeds wildly out of control. Can Oswald's lucky rabbit's foot save him?

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A small-time drug trafficker attempts to rescue a young girl who has been kidnapped by a zealous preacher while battling a manipulative Cicada-like entity that preys on the desperation of his impoverished Appalachian town.

Wonderwall Guy brings his guitar to a party to impress girls and just won’t leave. A group of the fed up partygoers band together to try and get him out of there, but something unexpected happens…

The object of Ruby's desire?...a rare diamond necklace that has been placed on auction. She enlists the help of techie expert Q-Bytes and petty thieves Joe Stone and Juan to snatch the jewels. However things don't quite go as planned.

Moving Matter is the culmination of a material-led process with artists from dance, costume design and film that began with a study of old kitchen flooring about to be discarded. This flax-based material enters our orbit in the 1950s, where a measured homelife and prescribed domesticity offered a reassuring antidote to bomb scares, political turmoil, and paranormativity. Stability topples as the flooring becomes entangled in the lives of those who don the material as garments and shelters. This film was made through Moving Matter, a long-term research-creation project that offers a methodology for rethinking the dynamism between raw materials, garments, and the body. Moving Matter steers the locus of choreography and wearable design away from human hierarchy to instead support truer collaboration amongst all moving materials, both human and non-human, in this case… linoleum.

Victoria explains how to become an animator.

Peter believes his baldness is the root cause of his colleague's distain towards him. His struggle for acceptance leads to an unintended tragedy. With his job hanging by a thread, Peter devises a hair-raising, high-stakes plan to regrow his standing in the office and save his dwindling career.

Ethan lives separate lives as a socially awkward college student by day and a fearlessly glamorous drag queen by night. That is, until his life is turned upside-down by Kekoa, his school crush. As his two worlds collide, Ethan is forced to confront his fear of change in order to win the boy of his dreams.

Translating History to Screen (2008) Video Short - 10 June 2008 (USA)

Streif

Mēs esam un būsim

Michael Shanks plays the very silent and controversial artist who is tired of having his works criticized by people who knows better. He decides to take matter in his own hand and give them a lesson.

When a notorious food critic arrives to review his restaurant, a determined chef struggles to prepare an outstanding meal without breaking under the pressure.

O Mercador do Efêmero

Can she get to the wedding in time in this claymation short?

In the near future, John Smith takes a test that reveals the exact date of his death. How will he react when his perfectly ordered life is suddenly thrown into chaos ?

A young achiever, fed up with her corporate life, decides to leave it all behind and travel to Leh, Ladakh, only to be reminded of the true beauty of Divine Love when she meets a vlogger.

2030. In response to climate migration, the government has set up a program to receive refugees. Imani, originally from the sunken island of Sao Tome and who is stateless and traumatized, is recognized as a climate refugee in Seine-Saint-Denis. She joins the Green Fugees program, which will enable her to obtain French nationality provided she overcomes her trauma: will she manage to swim again?