A century after a village and its paper mill were abandoned, a group of actors is tasked with recreating the fantasized daily life of its inhabitants.
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Dive into "Brat and the Culture of Addiction," a thought-provoking video essay by Alexander Avila that unpacks how society glamorizes excess while stigmatizing addiction. Through sharp analysis of media, history, and cultural norms, Avila explores the cycles of dependency fostered by consumer capitalism and challenges the oversimplified narratives of recovery. Perfect for anyone looking to understand addiction as a broader sociocultural issue, this essay offers fresh insights and calls for systemic change. Watch now to reframe your perspective and spark meaningful discussions.
What is the secret origin of this self-proclaimed 'real-life warrior, adventurer and musician'? How has he gained his tremendous cult following? Steel yourselves for a quest to explore how this enigmatic personality came to be and the powerful effect he has on all those he meets.
A short documentary that emerge at the center of round table debate, participating in it there's three students from the Superior School of Arts and Design, Caldas da Rainha - Portugal. This conversation go along with a video essay about Afrofuturism and Pop Culture. Also, during the debate, an interview with another student gives some real example of how afrofuturism can be applied when it comes to in taking control of the colonial narratives into a black person perspective.
Three commercials, presented as a short film, for fictional clothing brand 'Death To Straight White Men' by the QnWF-Sociétè. This fictional clothing brand and the ready-for-action poses and portraits of the three models were in many ways the foundation for 'E Kolór Korra' (2017).
A video essay by Mark Rappaport, which spans René Magritte and Michelangelo to Bonnie & Clyde. Let’s mask up to rob a bank! But make sure that you are home before the curfew.
A biopic of the legendary Paul Bellini, by Bellini, of Bellini, for Bellini.
Join College Student Parker Bennink and he interviews four of Rowan University's most prolific filmmakers, to uncover what life as a student filmmaker is really like in today's day and age.
Chris Elliot plays FDR in his live "One Man Show" about the life and times of the president, however, he looks and sounds nothing like the man and he re-enacts events from Roosevelt's life that never happened.
YouTuber Jeffiot goes digging for the origins of skull trumpet / doot doot / mr skeltal, and ends up taking a trip to the early web heyday of animated gif art, and ruminating on creativity and legacy.
Dedicated to the Children of Ukraine, victims of the brutal Russian invasion...Let everyone ask themselves and the leaders of their countries: what else has to happen, what arguments are needed that Ukraine is finally given the necessary military aid for Victory?
An experimental video essay which uses circles and waves to explore neurodivergent experience.
Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.
Using a collage of found footage, this documentary essay examines humanity's conflicted relationship with fire - tracing its journey from control and mastery to destructive power, reflects on masculinity and the cost of progress and hubris.
floating images, abstractions, memories. silhouettes of a life lived in Jawaharlal Nehru University
Documentary on a murder associated with members of Savannah, Georgia society. This becomes an occasion to delve into the interaction of Savannah's high life and low life in lurid detail: the mores, the eccentric residents, and the history of this coastal city.
A gentle and confused home movie in search of a lost space - my grandmother's garden, where I spent my childhood. There is nothing to testify to that place and my time there. There are memories pollinated by the pollen of garden poppies the warmth of my hands, toiling in the sunshine and the stories of adults about the big world. Summer, reveries, childhood, prejudices, the realities of the noughties, a small town - shimmering images that can never manifest, but endlessly manifest themselves. The intimate experience is torn by externalised reality: the formerly Latin poppy becomes a threat to gardeners and gardeners, bugs represent terror and flowers represent death.
A tribute to actresses, approaching their presence in and out the screen, humanizing the icons. From the Ukrainian Anna Sten to the French Anna Karina, we can see some close-up faces that marked the history of the cinema, and whose demand is more relevant than ever.
Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.