Chceme ještě žít!
Thi is the story of a Kyiv boy who lives his life believing that the problems of his country do not interest him. However, everything changes when he meets in a dream a Ukrainian warrior who comes to Nazar from the last century. Or maybe it was not a dream?
A woman recalls Nova Kakhovka—now occupied and ravaged by the Russians—the city where she spent her childhood, where it was always summer, and where her grandfather helped build the Kakhovka Hydroelectric Power Plant.
Volunteer Danya promises his mobilized older brother, Bodia, to obtain military first-aid kits by the evening. The task proves more difficult than it initially seemed.
A wedding eve in 1988 Sri Lanka turns into a hostage standoff when Indian Army soldiers occupy a family's home overnight.
A feature documentary presented and directed by former Royal Marines Commando Emile Ghessen. The documentary tells the story of the 2020 war between Armenia and Azerbaijan over the disputed region of Nagorno Karabakh. In the fall of 2020, Armenia and Azerbaijan fought a brutal bloody war. Azerbaijan won, decisively. The feature documentary 45 Days: The Fight for a Nation tells the story of this conflict, from the Armenian perspective, focusing on the human cost of war and its impact on the large Armenian diaspora.
From Gallipoli to Brest-Litovsk, witness WWI's turning points-naval clashes, mutiny, and revolution-shaping the fate of empires and the world.
A blistering rock opera about the rise of fascism. Through soaring vocals and epic guitar riffs, men sink under the weight of an enduring loneliness while political and financial opportunists exploit their vulnerability to the detriment of us all.
For the Honour of Australia is a 1916 film composed of footage from two 1915 Australian silent films, For Australia and How We Beat the Emden, plus the documentary How We Fought the Emden.
In 2023, during the second year of full scale war, civilians in Ukraine endure constant hardships and terrorist attacks, yet rather than cower or give up hope and leave, many civilians in Ukraine tirelessly volunteer, work, collaborate, and create in support of Ukraine's people, army, animals, and future. "Sunflowers in the Rain" weaves together 10 vignettes from volunteers and civilians working across Ukraine show us the realities of civilian life in a country at war, the inspiring and the tragic moments, and the ways ordinary people have stepped up to face new challenges on their personal quests to help the country persevere.
A tale of human connection, hope and resilience in the face of great tragedy, Under a Bamboo Sky uses new technology to bring to life an untold story of Australian soldiers held prisoner by the Japanese in WWII. Using their own words, their own voices, the film weaves the recollections of more than 60 former POWs with newly colourised archival material and new location footage to deliver a moving and revelatory first-hand account of their experience. Captured during the Japanese offensive and imprisoned in Singapore’s Changi Barracks, the film follows the years long journey of these soldiers through four countries. After bearing witness to some of WWII’s most history-defining events, they tell of returning home to families, wives and sweethearts, and of the price they paid for the trauma they endured. Shining through the horrors of war is the spirit of these men and an inspiring human capacity to find beauty in their surroundings and hold onto hope in the worst of circumstances.
A comprehensive chronicle of the consequences of Russia's invasion of Ukraine in 2022. How citizens live in wartime, how violence and death condition daily life: from schools in bomb shelters to rehabilitation centers for the maimed; wounds and silences, gestures and words.
Por Todos
During the Occupation, René Carmille, a graduate of the Ecole Polytechnique, founded what was to become INSEE and created the future national insurance number. This military officer, who became a manager in the Vichy administration, developed his modernist vision of mechanography, the forerunner of computer science, and increased the number of statistical surveys on the French population, at the risk of seeing them serve the antisemitic policy led by Pétain. But Carmille was pursuing a secret goal...
Lisa, student and artist, who is 17, is so in love with Kyiv, but because of the war she was forced to leave this city and emigrate to Western Europe. Together with this creative person, we tried to create the image of Kyiv as it appears to us today. Drawing is the best way to reflect the images and feelings of memories. I wanted Lisa to turn her “Lights of Kyiv” into a painting. I wanted to turn on “The Lights of Kyiv”.
Filmed throughout Ukraine just months before the full-scale Russian invasion, this vérité visual ethnography explores the overlaps of memory, hope, progress, and nostalgia at the scale of everyday life.
When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.
This film from the heart of the desert shows the conflict between the Algerians and the Moroccans at El Aioun, and the Saharan resistance of the Polisario Front. A never ending story which is still one of the reasons for the conflict between Algeria and Morocco.
Chain-smoking artists, poets and playwrights were among the colourful array of intellectuals living in the ‘Slovo House’ in 1920s Ukraine. The communist paradise was built under Stalin's approval, but it quickly became a prison. The brutal Soviet regime spied on the inhabitants, destroying their eccentric way of life and sealing their fate. This fascinating film explores the extraordinary story of the building and its residents.
"Free Spaces" sketches a new and transformative image of four major cities in Eastern Europe. In te post-communist urban settings of Tbilisi (Georgia), Yerevan (Armenia), Chișinău (Moldova) and Kiev (Ukraine), Ina Ivanceanu follows artists and activists as they reclaim public spaces and assert their freedom of expression. Occupying a cinema, reviving an old Soviet circus, converting a grim metro passage into a glamorous arena, and repurposing a defunct factory building into a cultural agora. By seizing and creatively transforming public spaces characterized by an abondoned past, today's new generation explores democratic means and freedom while also confronting pervasive neoliberal structures in their respective societies.