Old Junk

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

A Yugoslavian man meets a woman in Paris, where he has come to do some research, and their mutual attraction leads to a liaison and shared adventures, not many good.

Nerdy Walter Paisley, a maladroit busboy at a beatnik café who doesn't fit in with the cool scene around him, attempts to woo his beautiful co-worker, Carla, by making a bust of her. When his klutziness results in the death of his landlady's cat, he panics and hides its body under a layer of plaster. But when Carla and her friends enthuse over the resulting artwork, Walter decides to create some bigger and more elaborate pieces using the same artistic process.

A sculptor is traumatized by the death of his wife in a car accident. He builds a sculpture in her memory. As the lifelike sculpture begins to bleed through the cracks of clay, the sculptor's flesh mutates and crumbles away...

A depressed wife and mother whose reality is starting to fracture into fantasy, drives her children to the beach. On the return journey she stops at a service station to fill up with petrol. Four mechanics eye her off and, as one of them walks towards her car, a full-blown erotic fantasy develops.

A young sculptor struggles to finish his masterpiece, a sculpture of a woman, as it inexplicably cracks.

The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...

Set in Italy in the contemporary world, the film deals with love, with trampled art, with prostitution, with transvestism and with the situation of the sculpture in Italy.

A comedy centered on three museum security guards who devise a plan to steal back the artworks to which they have become attached after they are transferred to another museum.

Spanish actor Jose Antonio Ceinos stars as a down-and-out sculptor, whose inspiration returns with the strange appearance of a beautiful, mysterious black muse.

Through a journey into love, myth, the present and the past, Argiro seeks the missing pieces, in her effort to decode the Phaistos Disc.

A young sculptor has been preparing his first exhibition for years. In the autumn of 1962 it becomes a fact. The show provokes a scandal in the society.

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?

A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant. As the hand's request gives way to bribery, demands, and threats, the potter becomes more desperate to escape its clutch, leading to tragedy.

La mujer del escultor

Outside the door of the home of a sculptor and his mother, fell a poor, friendless young girl. They took the girl in and cared for her, and as time went on the mother began to regard her as her daughter. The son regarded the affectionate advances of the girl with only brotherly love. But there came a time when the misgivings of the son changed, for he began to pay scant attentions to a young beauty he met at a reception and who was characterized as a woman with a heart "cold as marble." This piqued the beauty, who was accustomed to abject adulation. She determined to bring him to her feet and in this she succeeded. She offered to pose for him, and, spurred on by such a splendid model and her praises, he produced a figure which was acclaimed by all the critics as a masterpiece.

Christine Hunter kills an intruder and tells her husband and lawyer that it was an act of self-defense. It's later revealed that he was actually her lover and she had posed for an incriminating statue he created.

A woman's need for an unfinished sculpture blossoms into an obsession.

A precocious young girl and her younger brother run away from home and hide in the Metropolitan Museum in New York.