Intelligence operatives from MI6 to the CIA share insider stories of spy craft, Cold War campaigns, and coups carried out by covert agents.
A young woman finds out that her mother worked as a spy for the British Secret Service during World War II and has been on the run ever since.
An intelligence analyst at a national think tank in New York City called the American Policy Institute discovers that he may be working with members of a secret society that manipulates world events on a grand scale.
Meet the Smiths: two lonely strangers, John and Jane, who have given up their lives and identities to be thrown together as partners – both in espionage and in marriage.
British scientist Peter Brady, while working on an invisibility formula, suffers a tragic accident which turns himself invisible. Unfortunately, there is no antidote, so, while working on a method to regain his visibility, he undertakes missions for his government stopping bad guys.
CIA officer Carrie Mathison is tops in her field despite being bipolar, which makes her volatile and unpredictable. With the help of her long-time mentor Saul Berenson, Carrie fearlessly risks everything, including her personal well-being and even sanity, at every turn.
A drama about the shifting power in a marriage when the personal and political collide.
The story of New York farmer, Abe Woodhull, who bands together with a group of childhood friends to form The Culper Ring, an unlikely group of spies who turn the tide in America’s fight for independence.
During the Japanese colonial rule of Korea, a Korean surgeon who was raised by a Japanese family becomes a spy for the Korean government.
The story of a special service agent who steals another man's identity. Posing as someone he is not, he builds a successful undercover career
Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.
The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters. The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner's pilot script, written in March 2001, posited a re-invented CIA tasked with a "War on Terror" after Osama Bin Laden's Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season. The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and "The Agency", at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season's final episode.
A five-part documentary series that examines in-depth the influence of espionage agencies on governments and societies, both domestically and abroad.
1945 London. Feef is seduced by a rogue American spy into spying on her own country. Her task? To uncover a Russian agent in the heart of the British Government.
La Femme Nikita was a Canadian action/drama television series based on the French film Nikita by Luc Besson. The series was co-produced by Jay Firestone of Fireworks Entertainment and Warner Bros.. It was adapted for television by Joel Surnow. The series was first telecast in North America on the USA Network cable channel on January 13, 1997, and ran for five television seasons—until March 2001. The series was also aired in Canada on the over-the-air CTV Television Network. La Femme Nikita was the highest-rated drama on American basic cable during its first two seasons. It was also distributed in some other countries, and it continues to have a strong cult following.
GBH was a seven-part British television drama written by Alan Bleasdale shown in the summer of 1991 on Channel 4. The protagonists were Michael Murray, the Militant tendency-supporting Labour leader of a city council in the North of England and Jim Nelson, the headmaster of a school for disturbed children. The series was controversial partly because Murray appeared to be based on Derek Hatton, former Deputy Leader of Liverpool City Council — in an interview in the G.B.H. DVD Bleasdale recounts an accidental meeting with Hatton before the series, who indicates that he has caught wind of Bleasdale's intentions but does not mind as long as the actor playing him is "handsome". In normal parlance, the initials "GBH" refer to the criminal charge of grievous bodily harm - however, the actual intent of the letters is that it is supposed to stand for Great British Holiday.
Explore the evolution of a couple involved in industrial espionage.
Acapulco H.E.A.T. is a 1993 syndicated television series that followed the Hemisphere Emergency Action Team [H.E.A.T.], a group of top-secret agents based in Acapulco, Mexico and recruited by C-5, a secret government coalition, to fight terrorism and international crime. The team kept a low profile, by acting as models and photographers who represented a Beach Fashion enterprise.
A Very British Coup is a British political thriller series based on the novel by Chris Mullin. It stars Ray McAnally as the newly elected left-wing prime minister Harry Perkins, who soon finds himself up to his neck in conspiracy.
During the Suez Crisis of 1956, two young clerks at the stuffy Foreign Office in Whitehall display little interest in the decline of the British Empire. To their eyes, it can hardly compete with girls, rock music, and the intrigue of romantic entanglements.