Heavy Architecture

Crownsville Hospital: From Lunacy to Legacy is a feature-length documentary film highlighting the history of the Crownsville State Mental Hospital in Crownsville, MD.

Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.

In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.

St. Joseph Fort: Principality of Pontinha, the diamond that illuminates the Atlantic Pearl.

A short documentary on the fabulous courthouse building in Brussels from the architect Joseph Poelaert, temporarily a house of dreams structured in 26 bits, 1 for each letter of the alphabet, from A-Z.

This documentary follows 200 days in the life of contemporary artist Hiroshi Sugimoto— a leading presence in the world of modern art. He is the winner of many prestigious awards and his photographs are sold for millions of yen at overseas auctions. The film shows the sites of the Architecture series shot in southern France, the huge installation art work at 17th Biennale of Sydney, his new work Mathematics at Provence, his art studio while working on Lightning Fields, and more. It thoroughly pursues the question Sugimoto's works pose - "living in modern times, what are these works trying to tell us?" A thrilling look into the world of Hiroshi Sugimoto.

A biography documentary of the Argentine modernist architect Amancio Williams.

What started as a simple tomb became over a 2,000 years history the universal seat of Christendom and is today one of the most visited museum in the world with invaluable collections of Arts, Manuscripts, Maps. Using spectacular 3D modelisation and CGI to give viewers as never before a true understanding of the history of this architectural masterpiece and its extensions, the film will also use animation to tell relevant historical events. This heritage site reveals new untold secrets with the help of historians deciphering the Vatican’s rich archives and manuscripts collection and following the restorations at work (newly discovered frescoes by Raphael) and recent excavations. A story where Religion, Politics, Arts and Science meet to assert religious authority and serve as a spiritual benchmark.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

De Gaulle bâtisseur

"Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture" focuses on the construction boom in the United States after World War II. Sometimes considered cold and unattractive, mid-century modern designs were a by-product of post-war optimism and reflected a nation's dedication to building a new future. This new architecture used modern materials such as reinforced concrete, glass and steel and was defined by clean lines, simple shapes and unornamented facades.

Best known for designing National Historic Landmarks such as St. Louis’ iconic Gateway Arch and the General Motors Technical Center, Saarinen also designed New York’s TWA Flight Center at John F. Kennedy International Airport, Yale University’s Ingalls Rink and Morse and Ezra Stiles Colleges, Virginia’s Dulles Airport, and modernist pedestal furniture like the Tulip chair.

La Sagrada Familia – although still under construction in Barcelona – is a cathedral without any flaws. Almost 100 years after his death, experts are convinced that Gaudi was a mathematical genius and that each embellishing ornament of the Sagrada Familia actually serves an architectural purpose.

The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.

Urban architecture as seen through the eyes of four female veterans in the field.

Nicknamed “Architect to the Stars,” African American architect Paul R. Williams had an incredible life. Orphaned at the age of four, Williams grew up to build mansions for movie stars and millionaires in Southern California. From the early 1920s until his retirement 50 years later, Williams was one of the most successful architects in the country. His clients included Frank Sinatra, Cary Grant, Barbara Stanwyck, William Holden, Lucille Ball and Desi Arnaz. His name is associated with icons like the Beverly Hills Hotel, the original MCA Headquarters Building and LAX Airport. But at the height of his career Paul Williams wasn’t always welcome in the restaurants and hotels he designed or the neighborhoods where he built homes, because of his race. “Hollywood’s Architect: The Paul R. Williams Story” tells the compelling, but little known story, of how he used talent and perseverance to beat the odds and create a body of work that can be found from coast to coast.

Jaime Lerner - Uma História de Sonhos

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

A documentary featuring internationally renowned photographer Toni Hafkenscheid as he explores hidden stories behind iconic architectural structures once considered "Visions of the Future" from the 1960's. This film is a light-hearted look at the way we perceive life and embrace modern advancements. It is a photography expose that becomes a personal journey of self-discovery while exploring innovative Visions of the Future that celebrate memories of Toni's, and our, collective past.