A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.
First video release by Depeche Mode, featuring almost an entire concert from their 1984 Some Great Reward Tour, in Hamburg, Germany on December 14, 1984.
Filmed on the Hot Space Tour, complete Queen concert from Milton Keynes Bowl, 5th June 1982 in England where the band played a number of hits including "We Will Rock You", "Somebody to Love", "Under Pressure", "Bohemian Rhapsody" and "We Are the Champions".
Prince at his best, performing all his mega hits, to a booked out Madison Square Garden in New York, on the 29th December 2010.
A documentary on Jan Slovak, a 55-year-old welder, who fell in love with acting. His desire began, when he got the lead role in a theatrical adaptation of the worst movie of all time, Plan 9 From Outer Space by Ed Wood Jr. The passion for theater became his destiny.
Documentary following an investigation by The Sun into Madeleine McCann's disappearance, which uncovers further evidence that could point towards the prime suspect's involvement in this unsolved crime
Metallica Live in Nîmes, France - over 2 hours of the greatest hits live in a breathtaking Roman Coliseum. After the global destruction that was the Death Magnetic tour, in July 2009 the four horsemen of the apocalypse rode into the Roman Coliseum in Nîmes, France and unleashed a mind-blowing set of greatest hits including Enter Sandman, Master of Puppets, Nothing Else Matters and many more!
Filmed in Sacramento, Portland, and Victoria by the Nine Inch Nails team, and directed, edited, and produced by their fans, The Gift is a stunning work in 1080 High Definition video with 5.1 Surround Sound, multi-language subtitles, and artistically-driven ethics.
In late 1980s Los Angeles, Jacki and her all-girl punk rock band, Clam Dandy, are trying to make it big. On the verge of turning 40, Jacki decides that if the band's one last shot at the big time is unsuccessful, she will give up her dreams of stardom.
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
Portraits six lesbian protagonists from rural and metropolitan parts of the formerly socialist Republic and has them tell their captivating and sometimes outrageous life stories.
Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.
A documentary about Squallor, Italy's first and most successful "ghost band" project, created by four big bosses of 70's-80's Italian music business.
In Missing 411: The UFO Connection, David Paulides continues the story of people who vanish in the wild without a trace. In his third documentary, David reveals the first evidence documenting a link between UFOs and missing people.
In 2004 The Who returned to the Isle Of Wight Festival for the first time since their legendary performance in 1970. After a long absence, the festival had been reborn in 2002 and continues to this day. Their UK concerts in 2004 were the first in their home country since the death of founder member John Entwistle. As the evening shadows lengthened across the festival site, The Who took to the stage and delivered an incendiary performance packed with hit singles and classic album tracks and the concert more than lived up to the fan s expectations and memories of 1970.
The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.
In 2017 and 2019, Gemmel “Juelz” Moore (26) and Timothy “Tim” Dean (55), two gay black men, died of a meth overdose at the West Hollywood apartment of white businessman, activist & political donor Ed Buck (66). The parallel stories of these two men, are intimately told by the friends who loved them, grieve their loss, and who hope to protect others from similarly tragic fates.
A documentary that is a deep exploration of gender identity within the context of Greek society, providing a multi-layered narrative that reflects the experiences of individuals navigating the complexities of gender in a culture where these topics are still emerging. Over four years, the filmmakers captured intimate stories of people confronting their gender identities, revealing how personal, societal, and familial expectations shape their journeys. The documentary aims to challenge the traditional norms of gender and to give voice to those whose experiences are often marginalized. It marks a significant step in Greece’s cinematic exploration of LGBTQ+ themes and is a pivotal contribution to the global conversation on gender identity.