Night is Day

How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.

To examine the deteriorating relations between Palestine and Israel following the Hamas attack on October 7, the director walks into the heart of Jerusalem, a city that has been a holy site for Judaism, Islam, and Christianity for centuries, where tension and hatred have become a daily reality. Even though Jews and Muslims live in the same building, they do not communicate with each other and occasionally attack one another. However, the residents, from their respective positions and perspectives, ponder solutions for coexistence and peace between Muslims and Jews.

Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

A horrible six year conflict befell Syria with a multitude of factions fighting for territories backed by a score of foreign players. The script for war as with Iraq in 2003 originated with Zionist partisans with Israeli interests in mind. From Oded Yinon to the Israeli "Clean Break" papers, the Zionist regime made it very clear what their intentions were in Iraq and Syria. American mass media had a uniform message that "Assad must go" for years until the Trump administration took power. In Iraq, after the US made it clear that they did not back Kurdish secession and would not give them air support, the Iraqi forces chased out the Peshmerga in a mere 36hrs. The world must know that the US was dragged into these conflicts via Israeli pressure and deceptions.

On the morning of the October 7 attack, Rachel and David Edri were held hostage in their home in Ofakim by a terrorist squad. For 20 hours the couple survived alone with the terrorists until they were rescued by the security forces. During the hours, Rachel offered the terrorists food and drinks, talked with them and took care of one of the wounded.

In an unprecedented and candid series of interviews, six former heads of the Shin Bet — Israel's intelligence and security agency — speak about their role in Israel's decades-long counterterrorism campaign, discussing their controversial methods and whether the ends ultimately justify the means.

Trauma in Nahost - Der 7. Oktober und seine Folgen

This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.

A group of young UN soldiers in Lebanon enters service with pro-Israeli views and a naive outlook on war. They go through a radical change of heart as they witness and film the Qana massacre. They secure video evidence indicating that Israel deliberately bombed a UN camp killing 106 refugees.

The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. We are led by Weinraub and his friend Ruso on a day that begins with quiet city streets, but ends with death, destruction and devastation of both body and mind. Various scenes are awash in the surreal, as Weinraub's head hangs out over a rescue helicopter's open door, watching with tranquil desperation as the earth passes beneath, the overpowering whir of the blades creating a hypnotic state. It is not a traditional blood, guts and glory film. There are no men in battle, only the rescue crew trying to pick up the broken pieces.

Na'ama is seventeen. She lives in a sleepy suburbia. She is bored. With detached parents and a rebellious older sister, her life at home is a mess. It all changes when a new girl appears at school. She's introduced to a world of drugs, lesbians and sex. She's thrilled. Her life, at last, becomes exciting. Is it going to last? "Barash" is a coming of age story, planted in the heart of Israeli society, about a young woman who struggles to find her self-identity in an environment that has different ideas about sex, drugs and love.

An Israeli director currently living in Berlin returns to Israel to meet some of her friends from primary school. She learns what has been happening in their lives since their paths parted while we get a glimpse of different Israelis.

The workers talk about the pleasure of starting work in a shipyard, the pride of making the vessel, and the recognition of workers and the high spirit of their novel struggle. There was solidarity everywhere, even in each other's mind. But there is no more energy in Hanjin Shipyard. The workers have been laid-off and the strike shows no sign of stopping. A 34 year-old worker committed suicide as well. It's the fourth who has become a martyr for the cause. Why have the laborers who worked at Hanjin shipyard separated like this? They are starting to ask themselves why they decided to hate each other.

Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.

Carlos Oliveira's literary universe is re-enacted in a studio using the writer’s personal objects and manuscripts, and with the help of Luis Miguel Cintra and Fernando Lopes. Shot with the purpose to document his work in the same way Carlos de Oliveira documented his hometown in Gândara, the film uses all the creative liberty that new digital technology allows in order to recreate the visual and sound records that were also present in the writer and poet’s own work.

A documentary about the open sexuality retreat called "Sandstone" in California.

Stephen Dollins, an ex-Satanist High Priest, exposes the subtle devices used to infiltrate the homes of Christians and non-Christians alike to lure the young and old into the practice of Witchcraft and Satanism. Discover the evil truth behind today’s crazes: movies, video games, and role-playing fantasy games. These devices initiate our children into the world of the occult by making evil appear to be “cute”, such as Teletubbies, Pokemon and various children’s books.

Interviews with director Kon and others cover the entire production from beginning to end. Opening and closing narrated by Genya Tachibana.

Short documentary about Yungblud, his music and most importantly, his politically fueled messages.