The summer of the Jubilee in 1977 was mentally dominated by another national anthem - "God Save the Queen" by The Sex Pistols. That same summer was also the summer of punk. Janet Street Porter Reviews The Year Of Punk, Featuring Early Classic Footage Of The Sex Pistols, The Clash, Siouxsie And Others.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
1 Social Distortion– Under My Thumb 2 Social Distortion– 1945 3 Social Distortion– Playpen 4 The Vandals– Anarchy Burger 5 The Vandals– Hocus Pocus 6 Sin 34– Trip To San Francisco 7 Black Flag – Rise Above 8 Black Flag – Louie Louie 9 RF7– Vampire Lady 10 MDC – Police Riot At Mendiolas 11 Descendents – Hey Hey 12 Descendents – Bikeage 13 Descendents – Jean Is Dead 14 D.I.– Ballroom Blitz 15 D.I.– Richard Hung Himself 16 True Sounds Of Liberty*– Code Blue 17 Circle Jerks– Just Like You 18 Circle Jerks– Put A Little Love In Your Heart 19 Hüsker Dü– Everything Falls Apart 20 Youth Brigade– Sink With California 21 Blak Flaag– Ride The Bus
White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34
Follows the story of the groundbreaking Texas-based art-punk band founded by frontman Gibby Haynes and guitarist Paul Leary.
Yusef, a first-generation Pakistani engineering student, moves off-campus with a group of Muslim punks in Buffalo, New York. His new "un-orthodox" housemates soon introduce him to Taqwacore: a hardcore, Muslim punk-rock scene that only exists out west. As the seasons change, Taqwacore influences the house more and more. The living room becomes a mosque during the day, while it continues to host punk parties at night. Ultimately, Yusef is influenced by Taqwacore too, as he begins to challenge his own faith and ideologies. 'The Taqwacores' deals with the complexities of being young and Muslim in modern-day America.
Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.
This is a film about touring musicians who don't care about making it in the music business and all of the hardships they face without the fame.
At the end of the 70s, punk promised rebellion and self-empowerment, also for women in the scene. They fought for their place on stage among the dominant punk top dogs, battling against social norms and long-outdated female role models. This is their story.
Filmed for television at the legendary SO36 Club in Berlin, 1983.
Second half of the 1970s. A few teenagers from the town of Ustrzyki Dolne, led by a charismatic and undisciplined student of the local school, Siczka, decided to become punks and get into punk rock and start a band called KSU.
Documentary about Manuel Méndez, better known as Manolo Kabezabolo, a punk artist who in a somewhat implausible way has crossed time, space and fashions, without giving up his essences and principles.
There's a reason why many consider Iggy Pop the godfather of punk - every single punk band of the past and present has either knowingly or unknowingly borrowed a thing or two from Pop and his late-'60s/early-'70s band, the Stooges, who reunited in 2003 and were inducted into the Rock and Roll Hall of Fame in 2010. We welcome this outstanding artist, who is known for his outrageous and unpredictable stage antics, at the Baloise Session.
A punk scarecrow, endowed by life, annihilates its roots and revitalizes its territory.
Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!
Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)
Two girls rediscover their love for playing rock, find a drummer and begin practicing. When one of their mothers intervenes, they run away from home and are forced to fend for themselves on the streets against gangs and rival bands. Soon they are discovered and taken under the wing of rock manager Johnny Tremaine (played by Steven McDonald) who uses them for sex and his own aspirations of wealth. The Love Dolls set out to get revenge on those who have wronged them, and rise to the top of the rock world.
D.I.Y. is an extrospective dissection of Pop-Punk; from the SoCal garages of the 80’s to the enduring impact the genre has had on music, fashion, and culture.
Tim Landers, a prolific songwriter and founding member of the emo/pop-punk band TRANSIT, struggled. He fought battles, often privately, with substance misuse and his own mental health needs. "Don’t Forget To Leave" paints a poignant portrait of Landers, from his early success up until the posthumous release of Weathervane by his band Cold Collective. His story is chronicled through archival footage and interviews with members of A Loss For Words, The Story So Far, Frank Turner, Man Overboard, Transit and Cold Collective, family members and mental health professionals.