You Going to Die

A collection of material shot before and during WW2 in the director’s hometown of Banja Luka, where its quiet life was disrupted by the enemy.

After her mother's death, a former drug addict Merima is forced to move in with her grandparents to the nearby village. Her city girl attitude and spoiled personality clash with their rural lifestyle. Everything goes wrong when Merima's father Fazil gets out of prison.

While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life.

Two soldiers from opposite sides get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?

Silent Waters

During the Battle of Sutjeska, partisan troops must endure 24 hours of big and heavy attacks on German units Ljubino grave, to the main Partisan units, with the wounded and the Supreme Headquarters, pulled out the ring that is tightened around them.

During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.

It's cold up on Mount Manjaca. "In the winter it snows, there's nowhere to go," says the central figure in Celebration. "We have to wait until someone comes to clear the road. Sometimes they come, and sometimes they don't." He diligently ploughs the knee-high snowdrifts as the wind howls at his ears.

A small bar in Sarajevo is a safe space for queer people.

Professor Gerasim and assistant Tugomir are in a ski-resort where opportunity for cheating and love is around every corner.

A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.

A beautiful and poetic at the same time difficult and tragic story. In the distant mountain village in Herzegovina, shortly after the end of World War II, lonely women and children await the return of men from the front. The few men that remained in the village trying to go to America and find the salvation of the lumber and stone. Center of the story is loneliness and anticipation. This is a tragic story of two men whose fight for the heart of a woman cost the head of both.

Three friends are hanging out on the roof in Sarajevo. Their hangout is interrupted by the Yugoslavian time traveler who explains them that they are in danger and need to use the time machine to go back to Yugoslavia and warn people that the future generations messed up. They travel back in time to find themselves not in Yugoslavia, but in Iran. Clash of the cultures is evident, and they are forced to hide their identity. But the more they discover the city, the more they realize it is scarily similar to their own.

The events in Sarajevo in June 1914 are the backdrop for a thriller directed by Andreas Prochaska and written by Martin Ambrosch, focusing on the examining magistrate Dr. Leo Pfeffer (Florian Teichtmeister) investigating the assassination of Archduke Franz Ferdinand. Trying to do his job in a time of lawlessness and violence, intrigues and betrayal, Leo struggles to maintain his integrity and save his love, Marija, and her father, prominent Serbian merchant. But the events of Sarajevo have set into motion an inescapable course of events that will escalate to become … the Great War.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

A bitter coming-of-age story about boy who grows up in a remote Bosnian village shortly after World War II.

Ahmet Nurudin is a dervish and head of the Islamic monastery of the Mevlevi order in Sarajevo. He is a personification of morale and dogmatic belief, everything that Muslim religion of the Ottoman rule rests on. Throughout his life, the atmosphere of the city, the relations with the judge and the mechanism of government, the image of Ottoman Empire at the beginning of the nineteenth century is being revealed. Based on a highly praised novel by Meša Selimović.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...

We are humans. El éxodo contado en primera persona