“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.
A Vietnam veteran, Charles Rane, returns home after years in a POW camp and is treated as a hero. He has a hard time adjusting, and things go badly. A movie about the walking dead, before that meant just flesh-eating zombies.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
With only a few months to live, a desperate man kidnaps a successful advertising director and makes one demand: Create an online campaign to pay for treatment - or share his fate.
Jang is attacked in her home by a masked man two nights in a row. Her husband is reluctant to call the police, but they both begin to suspect the odd young man living next door
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Fuelled tells the story of a housewife on the path of revenge for her late husband.
Nicole Walker always dreamed of being swept away by someone special — someone strong, sexy and sensitive who would care for her more than anything else in the world. David is all that and more: a modern-day knight who charms and seduces her, body and soul. But her perfect boyfriend is not all he seems to be. His sweet facade masks a savage, dark side that will soon transform Nicole's dream into a nightmare.
A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.
In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.
After a 4 a.m. knock at the door and haunting voices, Kristen McKay and James Hoyt’s remote getaway becomes a psychological night of terror as three masked strangers invade. Now they must go far beyond what they thought themselves capable of if they hope to survive.
A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise. They're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
After Sara Silverstein suddenly finds herself involved in a series of violent attacks she realizes she needs to unravel her father’s past in order to neutralize this threat.
After a revenge obsessed society incorrectly selects its next target, a young man must survive the night as the online witch-hunt arrives at his front door.
a life size stop motion child puppet races through memories and daydreams reflecting on the cyclical nature of life.
A young man receives an emergency phone call on his cell phone from an older woman. She claims to have been kidnapped – and the kidnappers have targeted her husband and child next.
During a walk through the forest, a woman reflects on life and memories.
¿Por qué la gallina cruzó el camino?