Meçhul

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Over the Kingdom of Romanda there reigned a King who was greatly influenced by his favorite, whom he devotedly loved. He presents her with a necklace of fabulous worth and enjoins that she never part with it, which command she swears by the stars to keep. About this time an impecunious cousin of the King calls to beg the loan of money, which is refused. The favorite promises to intercede for him. The cardinal and the favorite are bitter enemies because of her thwarting many of his pet schemes, and he plans a revenge by inciting jealousy in the King. The scheme he devises is to have the necklace missing and found in the cousin's pocket. The plan succeeds so well that the King condemns the seemingly guilty pair to an air-tight chamber, where they would have suffocated to death had not the lady-in-waiting, who helped in the plot, become horror-stricken and confessed.

An adaptation of a Sherlock Holmes short story starring Eille Norwood.

Bill Joins the W.W.W.'s

Sippy takes Leander on a hike over the woods to a big tree to show Dre that she's responsible.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Harry Gribbon and Shemp Howard enter the world of fine art in Paris.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A nervous job candidate is forced to show much more than a positive attitude to save the life of her competitor.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Welkom

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.

While roller-skating, Sam, a sensitive teenage girl, hears about her small town's local legend: the Boogeywoman.