El Ouelf Essaïb

Selim Mechoubine, a young man of 28, is the eldest of a large family. In the cramped accommodation he shares with his parents, brothers and sisters... he occupies the kitchen, the refuge of his dreams and his many fantasies. Selim, the court clerk where divorcing couples parade..., wants to get married. His mother finds him “the rare pearl”. But now, the bride's family demands that the couple have their own home... Selim's misadventure begins; he finds himself confronted with the problems of the housing crisis which forces him to begin a long quest, procedures, requests to find the sine qua non condition for his marriage.

A l'ombre des draps

In Kabylie, rude mountain region in the north of Algeria. Arezki finds the young Larbi exhausted, buried under the snow. He takes him in and nurses him until he's recovered. The host seduces Arezki's daughter. She is pregnant. This is an unsupportable shame to the father of the female sinner. Arezki claims vengeance. He leaves his house and takes the oath not to come back before having killed Larbi who betrayed him under his own roof.

Le match France - Algérie vient chambouler le train-train de Brahim et Mouloud. Cet évènement va diviser les deux amis : Brahim revendique son identité algérienne, Mouloud fustige son refus de la France, pays qui les a vu grandir.

In the 1980s, barely 18 years after Algeria's independence, Algerian immigration to France massively fueled the construction industry, responding to a demand for hard, undervalued labor. Behind the idea of ​​"selective immigration," these men were recruited primarily for their bras and their knock-kneed hands, shaped by construction sites. Invisible yet essential, they built roads, buildings, and infrastructure, often at the cost of precarious conditions. Ali, an Algerian crane operator in France, philosophically accepts the harassment faced by immigrants like himself on construction sites and in daily life. He hopes to escape his situation with the money he wins in the lottery, and from the top of his crane, he allows himself to dream, observing the world through binoculars. One day, the jackpot falls...

In 1988, Johnny Leclerc, the son of a Norman mother and an Alsatian father, lives in a suburban housing estate with his friends. He behaves like a Muslim, observes Ramadan and wears a djelaba. He's even convinced that his name is Abdelbachir and that he was born in a small village in the bled. When his friend Yacine gets into trouble with a local kaid and decides to return to Algeria for the vacations, he smuggles himself into the Sabri family's luggage to fulfill his dream and finally get to know his "roots". As soon as he arrived on the Algerian coast, Johnny felt right at home. But Yacine is opposed to his father, who wants to arrange his marriage.

An adaptation of the satirical play of the same name by comedian Rouïched (Ahmed Ayad). "El-Ghoula" (The Vampire) tells the story of a corrupt official who lives off the peasants of an agricultural cooperative. Instead of solving problems, this official manipulates empty rhetoric and "revolutionary" slogans to galvanize them and encourage them to continue working. Opportunistic, he will transform the fellahs' work into chaotic bureaucratic procedures for his own personal gain.

While he tries by all means to stay out of the bloody upheavals caused by the battle of Algiers, Hassan, an honest and naive father, unknowingly offers hospitality to a mujahid actively sought by the army. French. A series of events and misunderstandings quickly catapult him to the forefront, presenting him under the pseudonym “Hassan Terro”, a great fictitious terrorist who would have sworn the doom of the French army...

The story of Hassan, the handyman in the inn of his sister Aïcha, widowed and childless. A whole series of incidents, misunderstandings, will punctuate his daily routine in which we find him in turn driver, waiter, welder, etc. But, he refuses to submit to anything that does not conform to the idea he has of society and things...

In one of the tribes of the Algerian Sahara, everyone awaits the arrival of the hero who will defend the rights of the poor. A man decides one day to put the mark of the "hero" on his newborn son and the whole tribe celebrates the arrival of this eagerly awaited messiah who came to save them. This false hero then grows up by assuming his role of savior. Filled with cynicism, he crosses the countryside and has a number of adventures.

Like every year in Zitouna, a bear handler passes by. With his creature, he comes to challenge the small community. And like every year, it is Slimane El Mabrouk who defends the honor of the tribe. But this time, he dies, leaving two orphans, Omar and Ourida. Robbed of their inheritance, the children will grow up alone. The years pass, the French army settles in, and with it, the war. Mysteriously, one day, after the murder of a French legionnaire, Omar disappears into the bush, while his sister dies in childbirth. Omar will return to the village, much later, once independence has been acquired, as a representative of power and with this enigmatic formula: "You must know that the Revolution has not forgotten you". Personal revenge? Sincere desire to bring progress and modernity? ... The inhabitants of Zitouna, upset in their ancestral way of life, will not be long in having an answer to their questions.

Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.

In 1980, Lionel Stoléru—France’s Secretary of State for Migrant Workers—introduced a "repatriation grant" of 10,000 francs (known as the "Stoléru million"), paid to immigrants who agreed to return permanently to their countries of origin. One Algerian family decided to leave France. Upon arriving in the small rural town of Boufarik, Algeria, in a brand-new Peugeot 404, they caused a scandal. Their liberated ways drew the villagers' ire, and the two children knew nothing about Algeria or local customs. The film was selected for the Cannes Film Festival in 1981, and in 1982, it won the Critics' Prize at the Chamrousse International Comedy Film Festival.

Inspector Tahar and his apprentice are invited by Mama Traki, a popular Tunisian heroine, to spend their vacation in Tunis. Before leaving Algiers, they stop at a tourist complex where a murder has just been committed. The investigation full of surprises and twists and turns will take them to Tunis where they will find Ommi Traki and his family...

Farida is back in her father’s native Algeria for the first me since she was a child. She discovers her grandmother’s house in the middle of the countryside. When the night comes, her sleep is disturbed by an intruder, a strange creature which has been haunting the family for many years.

The former teammate of the famous Inspector Tahar, "the Apprentice" turned Inspector Yahia, will conduct his final investigation in the city of Bejaia, but the surprise at the end is unexpected. Released in 1999, this feature film is dedicated to the late actor Hadj Abderrahmane, who played Inspector Tahar in the 1960s and 1970s.

Long quest for a director specializing in commissioned films, who after a depression rediscovers his loved ones, his Casbah district, himself. Taken in hand, for a while, by his Islamist neighbor, it is above all the meeting with an old projectionist giving him a censored history of cinema and Algeria, which helps him to change, and to accept his own fantasies, embodied by Marilyn Monroe and the Andalusian.

In 1842, during the conquest of Algeria Sidonie Panache disguised as a Soave runs away with her lover who is doing his military service there.

In the 70s, in the Goutte d'or district, three friends of Algerian origin: Poulou, a failed boxer, Amar, the clumsiest of thieves, and Jibé, a public writer for illiterate compatriots whose lives he knows in detail. As he betrays none of their secrets, he enjoys great prestige in the bistros where he works. The three of them lead a casual life, raising money by illicit means. It's only when Poulou and Amar leave that Jibé understands his isolation and marginalization. The images as well as the sounds help to reinforce the feeling that Paris is a city where he is both at home and a terrible stranger.

On the outskirts of Algiers, Algeria. the arrival of the satellite dishes governs the lives of the inhabitants. Dissatisfied with their lives, they think of themselves as the heroes of American soap opera and movies, so JR, Sue Ellen, Rambo, Kojak, Spock and others take possession of bodies and minds, with many typical American culture elements. These heroes mix in a beautiful funny mess, with tradition and modernism, Islam and television, reality and fiction.