الولف صعيب - El Ouelf Essaïb

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

Film about Dahmane El Harrachi, musician, singer and composer of the famous song "Ya Rayah", a cult song covered by Rachid Taha, which will enjoy international success. Virtuoso of the banjo, the work of Dahmane El Harrachi did not initially respond to the canons of the purists of Algiers Chaâbi song. However, he will end up establishing himself alongside great masters of the genre, El Hadj M'hamed El Anka, Boudjemaâ El Ankis, El Hachemi Guerouabi, Amar Ezzahi... He plays his own role in this film shot with his musician friends, just before his tragic death in 1980 in a car accident on the Corniche of Algiers.

Ikach, is a farce in two acts in popular Arabic, written by André Sarrouy and adapted and directed by himself. A critique of marriage in colonial Algeria at a time when women were little taken into account. Cunning of women and stupidity of husbands, on an original soundtrack composed by Mohamed Iguerbouchène.

In Kabylie, rude mountain region in the north of Algeria. Arezki finds the young Larbi exhausted, buried under the snow. He takes him in and nurses him until he's recovered. The host seduces Arezki's daughter. She is pregnant. This is an unsupportable shame to the father of the female sinner. Arezki claims vengeance. He leaves his house and takes the oath not to come back before having killed Larbi who betrayed him under his own roof.

2min Avant le Ftour is a web series set during Ramadan that reflects what happens two minutes before the young person's breakup. According to this hilarious series, the stomach takes the place of the brain. Nothing matters except eating and/or drinking. And therefore, which features several families who live in the atmosphere of Ramadan but according to their ethnicity and their traditions..

Omar, better known as Omar the Strawberry, is an old-fashioned bandit. Forced to flee to Algeria, he makes a living out of petty crime, accompanied by his famous sidekick Roger. After decades of ruling the French criminal underworld, they must come to terms with their new life together, which until now has been one of debauchery and violence.

Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.

This musical comedy produced in 1953 for the General Government of Algeria, features the comic trio composed of Rouiched, Mohamed Touri and Sid Ali Fernandel, accompanied by the orchestra of the master of the Algiers Chaâbi El Hadj M'hamed El Anka, the singer Fadhéla Dziria, Mustapha Skandrani on the piano. Some scenes were filmed at the Summer Palace (the current Palace of the Algerian Presidency, called the People's Palace). André Zwobada, the director, will play an important role after the independence of Algeria in 1962, in the production and preservation of the first Algerian newsreels.

Inspector Tahar and his apprentice are invited by Mama Traki, a popular Tunisian heroine, to spend their vacation in Tunis. Before leaving Algiers, they stop at a tourist complex where a murder has just been committed. The investigation full of surprises and twists and turns will take them to Tunis where they will find Ommi Traki and his family...

Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.

In one of the tribes of the Algerian Sahara, everyone awaits the arrival of the hero who will defend the rights of the poor. A man decides one day to put the mark of the "hero" on his newborn son and the whole tribe celebrates the arrival of this eagerly awaited messiah who came to save them. This false hero then grows up by assuming his role of savior. Filled with cynicism, he crosses the countryside and has a number of adventures.

Two young Algerians born in France leave the Paris region to return with their parents to the village of their origins. They speak neither Arabic nor Berber. First barrier which isolates them from their new environment and which is further accentuated by the problem of generations, present here as in France. The social position of Algerian women posed to young emigrants is more immediately felt and proves to be a generator of conflict. Thanks to the plot, it is the whole problem of the reintegration of emigrants in their land of origin that the film poses and illustrates.

Like every year in Zitouna, a bear handler passes by. With his creature, he comes to challenge the small community. And like every year, it is Slimane El Mabrouk who defends the honor of the tribe. But this time, he dies, leaving two orphans, Omar and Ourida. Robbed of their inheritance, the children will grow up alone. The years pass, the French army settles in, and with it, the war. Mysteriously, one day, after the murder of a French legionnaire, Omar disappears into the bush, while his sister dies in childbirth. Omar will return to the village, much later, once independence has been acquired, as a representative of power and with this enigmatic formula: "You must know that the Revolution has not forgotten you". Personal revenge? Sincere desire to bring progress and modernity? ... The inhabitants of Zitouna, upset in their ancestral way of life, will not be long in having an answer to their questions.

A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…

Moussa, a young Franco-Algerian, returns to Algeria, but adapting to life in his country of origin proves difficult. Just as he is about to leave for France, he is called up for military service, which suits him fine because he is secretly in love with the beautiful Nacira.

On the outskirts of Algiers, Algeria. the arrival of the satellite dishes governs the lives of the inhabitants. Dissatisfied with their lives, they think of themselves as the heroes of American soap opera and movies, so JR, Sue Ellen, Rambo, Kojak, Spock and others take possession of bodies and minds, with many typical American culture elements. These heroes mix in a beautiful funny mess, with tradition and modernism, Islam and television, reality and fiction.

While trying by all means to stay out of the bloody turmoil caused by the Battle of Algiers, Hassan, an honest and naive family man, is wrongfully accused of terrorism by the French colonial army in "Hassan Terro." After escaping in "The Escape of Hassan Terro," Hassan is forced to join the resistance in "Hassan Terro in the Maquis."

Mounir Mekbek lives with his family in a small village in the heart of the Algerian countryside. Very proud and sure of himself, he has only one dream- to finally be appreciated by his fellow villagers. Screwing up his carefully maintained image is his headstrong, narcoleptic sister Rym who falls asleep anywhere and whom the village is convinced will end up a spinster. One evening, Mounir returns from town drunk and announces that he's found a suitor for his sister. The fake story snowballs and snowballs until the suitor morphs into a rich, blonde Australian. The village begins preparing for the wedding in earnest - but without a bridegroom in sight.

The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.

27 years after 1962, Antoine returns to Algiers...