Pasta Negra

Sebastián is from Venezuela and arrives at a shelter for migrant minors in Mexico City. There he meets Aurora, a girl from Guatemala, with whom he falls in love. Both are waiting for a response to their asylum application. Time is running out and the farewell is inevitable.

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.

Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.

Tahir Agha sells all his assets when his business in Maraş deteriorates. He immigrates to Istanbul with his wife Hatice, sons Selim, Murat, Kemal and daughter Fatoş, where he sets his mind to open a repair shop. But in the metropolis, things don't go as planned.

Samir, a young student from Hamburg, lives with his best friend in a shared apartment and is in a happy relationship. Everything seems normal—until one day he receives a notice to leave the country voluntarily. The news hits Samir like a hard blow, and overnight his dreams seem to vanish. When he finally tells his friends, however, it becomes clear that they will not let him go so easily.

Just married Hong Kong couple Chen & Lily emigrate to England, soon to become parents to a little baby boy and generally struggle through life. Chen works long days in a restaurant, while Lily does the housekeeping, daydreaming of setting up their own business, much to Chen's chagrin. When Chen lets his colleague Fok seduce him down a path of mounting gambling debts, he is recruited as a drug courier for a shadowy Chinese triad. Suddenly he realizes that getting their own enterprise could be their only means of escape.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

An impressionistic look at Irish emigrants in London, representing the emigrant's journey, a confusion of anticipation, memories and experience.

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

Lori, a Syrian-Armenian girl living in Armenia, believes her father is taking her on a summer trip. When she learns that her family is really leaving Armenia after already fleeing the war in Syria, she tries whatever she can to stay in a place that has great meaning for her.

The film tells the story of Imri, who at 19 goes to live in Tel Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young person’s life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who are themselves in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero’s misconception of Japan and ours of them. The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene. (Source: Filmmaker Website)

LEI and WONG clandestinely arrive to Ecuador, on their way to the port city of Guayaquil. From here LEI plans to continue her journey to New York, but CHANG, a bipolar mobster will decide her fate. WONG unwillingly gets entangled in the web of corruption that operates the encroachment of Chinese immigrants. His only objective is to bring his twelve-year-old son from China.

The story of a family who moved from a village to Istanbul with two children in order to live a better life, but ended up living in an abandoned bus due to poverty and lack of accommodation.

The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.

Old home videos and wandering voice recordings trace the quiet unraveling of the relationship between a father and his daughter shaped by migration and years of separation.

When Pak Tin Estate is going to be demolished, the residents will move to a new place, but how about the dead residents? Where could they go? Ho Ying-kuen who majors in Myth and Poetry, and Playwriting, leads us to a time and space of a demolishing public estate. We will come across the residents of the estate, a mother with her two sons selling incenses, and two monkeys having conversation about their mother. A mixture of fiction, experimental and documentary images, Lost Cemeteries studies about filial piety and death with a strange and interesting approach.

ADRIFT- People of a Lesser God is the story of an incredible odyssey made by several-times Pulitzer Prize-nominated undercover reporter Dominique C. Mollard. In this gripping story, Mollard sails with 38 African migrants, among them a five-month-old baby, out of West Africa on a quest to reach the golden shores of Europe. All aboard are packed together like sardines in a leaky fishing canoe as they set off under full moon on their harrowing journey. ADRIFT-People of a Lesser God captures the struggle of these desperate migrants as they brave their way across the cold Atlantic, risking their lives in search for a better future. —Ziad H. Hamzeh

For years, the immigration officer Dr. Ludwig Sarheimer and the chairman of the Turkish community Cengiz Demirkan in Cologne have been fighting a small war. While the one, as a hodja, upholds the traditions of his homeland and brings Anatolian brides to Germany for Turks who are willing to marry, the other wants to prevent exactly that. Cengiz's daughter Lale Demirkan is at the center of these ongoing disputes. At home, the young woman plays the well-behaved Turkish daughter, but as soon as the German studies student leaves the house, she takes off her headscarf and sense of tradition and has fully arrived in German life. In her free time, she practises martial arts fighting techniques. So far, she has successfully fended off potential grooms.

A man and a woman in Lagos want to escape their everyday lives, but extricating themselves is no easy task. Two stories narrated with tenderness and restraint that only fleetingly touch, the dream of migrating to Europe floating above them all the while.

"Outside the Aquarium" is the new exhibition of protagonist Jonas. In his paintings he portrays his experiences as a black immigrant and part of the LGBT Community expressing his fears, loneliness and dreams for the future.