Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.
When four generations of the Cooper clan come together for their annual Christmas Eve celebration, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.
Trump’s declarations concerning Israel and a Palestinian immigrant’s uncle’s medical diagnosis conspire to throw the latter into crisis, push him into provocative encounters, and jeopardize his relationship.
Glória manages to get a divorce and moves away, taking her daughters and the desire to start over. As she tries to turn the new house into a home and her body into a place of belonging, she faces, on the factory floor, a delicate competition for a supervisor position between colleagues and her best friend. Courage takes shape as anguish seeps into the flesh.
Adapted from the short story " Let's play a game " by the Italian writer Alberto Moravia . It's a strange story between a little girl and her divorced mother They are playing a game and the girl starts to persuade the mother, to provoke her curiosity . The adult woman gets stunned , She finds herself talking and hearing as if she becomes possessed by another one It is a moment where both of them exchange their authorities, unearth many of closed secrets.
A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.
Argentina 1983, the dictatorship comes to an end in the country, but not in this woman's life.
After the sudden and violent death of his father, Frankie questions how far he's willing to go for retribution and the consequences that come with it.
An inter-faith family come to a conflict when the mother, Maryam, died. The children (Fara, Aryo, and Adi) and the housemaid (Ijah) debating on how Maryam will get buried. When Maryam's funeral problem get solved, turns out that other problems still haunting them one by one.
A musician and his girlfriend visit an old musician friend of his and his family.
A toxic spill threatens the town of Urtajo: tackle the problem or cover it up? Javier will learn that not everything can be bought with money.
'Bucket List' is a story of a woman trapped in the confines of her own choices and her journey to self discovery. Madhura Sane is a 40 y.o housewife (by choice) belonging to a quintessential middle/upper middle class family in Pune. One fine day, through a chance encounter, Madhura comes face to face with a choice that could potentially change her whole life. And that choice involves...a Bucket List.
After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.
Set over the course of a single evening at the Reynolds’ family home in Connecticut, Clara, fed up with the constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her.
To prevent discovery of the cruel methods he is using in building a Bolivian railway, Gillespie a ruthless construction crew foreman, attempts to kill Arthur Wyatt, an Englishman sent to inspect the job. Gillespie's niece, Toni, discovers the plot and saves Wyatt after he has been shot by her uncle's accomplice. A lost film.
Meet Melusi is a moving story of fatherhood and finding the real meaning of life.
Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways to improve his lot, Harold invests his father's life savings in a greyhound who is almost blind and can't see the hare. When the dog loses a race and Harold has to pay off the debt, he comes up with another bright idea. Collect his father's life insurance. To do this his father must pretend to be dead.
Sandra is a sick kid, her parents are looking for the expensive medicine.
In the late 1960s, with the arrival of his bar-mitzvah, Michel was tasked with learning about his family's history.
In this silent short film, we follow three stories grappling with grief. As the characters within these stories take action and process their feelings, we see the intertwining nature of these peoples lives.