Tivoli

Defenestrace 1618

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.

Fabiana, Carlo, Claudio and Vincenzo… I met them in 1982 in Mercatale, their village in Tuscany, near Florence. They were aged between 25 and 45 and were cheerful militants in the Italian Communist Party, that strange party which has made its mark on history and which was both a school and a family for them. I have filmed in Mercatale every two or three years for over 20 years (1982/2004). The fi lm takes the “long view” of their political and personal development against the backdrop of village life. Stories with both human and political interest spanning over a quarter of a century with relevance for present day issues: what has become of the plans to change the world in Berlusconi’s Italy? From a more global perspective: what else can politics do? When the time comes to take stock the paths of their rich and varied personal lives cross once more with all their doubts and allegiances.

In California's Bay Area, a painful memory lingers of the Port Chicago disaster of WWII, when hundreds of the Navy's first Black Sailors perished, and the White officers in charge were protected by the chain of command.

In her often pioneering work, historian Michelle Perrot has continually questioned the fate of those on the margins of our society, giving them a voice to break the silence of history. In her Histoire de chambres (History of Bedrooms), published in 2009, Michelle Perrot speaks in the first person for the first time. She explores the social and intimate role of bedrooms throughout history. Inspired by these reflections, Teri Wehn Damisch paints a "bedroom" portrait of the historian: we enter with Michelle Perrot into the bedrooms of the house in Nohant, where the rebel George Sand, her first heroine, lived. The defining events of her childhood, the awakening of her political consciousness, her daring research, her decisive encounters, her view of feminism: Michelle Perrot immerses us in the episodes that shaped her life as a free woman and placed her among the most influential intellectual figures of our time.

ABC's Wide World of Sports first started spanning the globe in 1960, and a generation of sports fans and weekend TV viewers were hooked from the start. In this videocassette, featuring highlights of that first decade, Wide World captured the famous moments of competition all over the globe.

The unknown and fascinating origins of cinema and audiovisuals from prehistory to the beginning of the 20th century.

Through exclusive testimonies and clandestine videos, this documentary gives voice to courageous women in Iran who risked their lives to share their stories and to prominent women in culture, art and academia who were forced to leave their beloved country. They are a guiding force, able to explain through their individual, perilous and often tragic experiences, the drastic shift of a nation, caught between patriarchy, deep economic crisis, corruption, rigid religious and ideological beliefs.

To help prevent the unthinkable from ever coming true, it is important to know what could really happen....the most awesome and deadly display of warfare that the world has ever seen.

The driving force behind our transformations, an instrument of social affirmation, a weapon of emancipation: how did perfume, from a simple bottle, become both a reflection of our personal revolutions and an object of gender manipulation? Over the centuries, its notes have been in tune with those of history, clinging to the necks of struggles and the wrists of wars. Its bottles have perfumed wars and revolts and continue, even today, to reflect the social norms that surround and confine us. This film, like the book from which it is adapted, is a declaration of love for perfume.

Combining the author's poetic voice with those of Bernard Hinault, Antoine de Caunes, and Daniel Mangeas, the film offers a passionate journey into the heart of the history and imagination of the Tour. It captures the spirit of the great epics, the Anquetil-Poulidor duel, Yvette Horner's accordion, the popular fervor, but also the physical and spectacular reality of the dangers of racing. Women's cycling plays an important role thanks to the testimony of Cédrine Kerbaol. The contemporary scene is represented by cyclist Guillaume Martin.

Once a powerful, sprawling presence in Northern Africa, the ancient kingdom of Nubia now lies buried beneath mounds of red brick rubble in the Sudan. Forgotten by history and largely neglected by archaeology, its cities have lain buried for centuries, harboring priceless secrets of a civilization that once rivaled Egypt. Join world-renowned archaeologists Julie Andersen and Salah Ahmed as they unearth Dangeil - a thriving Nubian city that once sat at the juncture of several prominent trade routes. While excavating a massive temple to the god Amun, the team makes a surprising discovery that could solve the mystery of why the city was abandoned.

This incredible journey features the famous steam trains that power through the spectacular San Juan Mountains of southwestern Colorado. From Durango to Silverton, see the forested wilderness, and its beautiful lakes, waterfalls, and rivers. Be amazed at the route that travels over narrows passes, high bridges, and steep cliffs!

These previously unseen images bear witness to the darkest hours of our history and their lives. They have never before been shown to the general public. Officially, they do not exist. Without the patient efforts of persistent historians and archivists, they would still be lying dormant in family archives...

Mike Tyson escaped a life of poverty and petty crime to make a name for himself, becoming the youngest Heavyweight Champion of the World and a household name—but his rise was followed by a very public fall. In this remarkably candid portrait, the boxer addresses his controversial past, including the rape charge that sent him to prison and his struggles with substance abuse, while also detailing his ultimate recovery and comeback.

In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges.

Documentary telling the surprising and positive story of how, throughout much of history, the races of the world's empires mixed together unquestioningly.

Few amateur films with sound were produced in the 1930s and fewer remain extant. A charming artifact that demonstrates the expressive possibilities and technical limitations of amateur talkies, "The Spider and the Fly" includes a backyard Labor Day gathering, a trip to the Riverview Amusement Park, and a homemade Halloween parade of witches and ghouls.

A documentary about trans woman rapper and producer htmljones (Ishaani Ponniah), framed through the visual language of early-2000s television, 2010s internet aesthetics, and contemporary British culture.