Uncommon Law

Pete is no stranger to success, delivering hit series as a musician in a rock group. When he parts ways with his band and produces his first solo LP, he learns for the first time what a flop means. He did not expect this. He is insecure and desperate, while Lena, his wife, accepts this low blow as a challenge. Jealously, Pete observes that Lena is becoming more and more independent and self-confident in her surroundings. At home there are arguments until everyone packs his bags. Alone with his longing and tenderness for Lena, Pete composes the "Bolero" on his white grand piano that calls her back.

A small Egyptian police band travels to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves stuck in the wrong town.

Sandra Bernhard stars in a studio version of her off-Broadway show, blending re-enactments of the original show's pieces with concept vignettes and 'testimonials' to underscore the relationship between a performer and an audience.

1984, Sandusky, Ohio. A naive 17-year-old navigates heartbreak and self-expression as he explores his sexuality.

Twelve skits in six minutes: the first one and the final three are about sex, in between are sketches of blood, death, murder, truck crashes, a tough day on the toilet, a slip on a banana peel, and an omnivorous Elvis. In several vignettes, Plympton draws on the essentially comic image of men wearing jackets and ties in a world gone awry. Women, who don't appear all that often, cheerfully participate in the sex and don't hang around for the violence.

First-time director Dirk Shafer also penned this raucous "mockumentary," a blend of fact and fiction that re-creates his 1992 reign as Playgirl magazine's Centerfold of the Year. When Shafer chooses to keep the fact that he's gay a secret from the magazine's editors, he finds himself living the ultimate lie -- and incapable of giving female readers what they really want. Will he succumb to his lover's pressures to come out of the closet?

Hannah is a recent college graduate interning at a Chicago production company. She is crushing on two writers at work, Matt and Paul, who share an office and keep her entertained. Will a relationship with one of them disrupt the delicate balance of their friendship?

Faye Hanlon is a community-college professor with an emotionally depressed husband and an abundance of sexual frustration. Her sister drags her to a male strip-club for a girls-night out, where she discovers that one of the dancers is her failing student Rick Monroe, a.k.a. "Ricky the Rocket". A heated affair between teacher & student ensues, as Faye struggles to reconcile her emotions and make consequential life choices: Continue her lustful sessions with the studly-but-shallow teen stripper? Or break it off with Ricky & work to salvage her marriage to the loving-but-distant husband?

A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of coffee.

Carolyn's sorority sisters set their sights on the Sorority of the Year award and coaching challenged athletes is their ticket to the trophy. But when the queen of formals finds herself mentoring Pumpkin, a disabled athlete, their two worlds collide.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.

Justin Cobb, a teenager in suburban Oregon, copes with his thumb-sucking problem, romance, and his diagnosis with ADHD and subsequent experience using Ritalin.

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions, leading her further towards Paris and the country wilderness.

Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.

Roar follows a family who are attacked by various African animals at the secluded home of their keeper.

J.P. Tannen (Jon Voight) wants a second chance to be a father to his children ... but someone else has taken his place. Determined not to just be a friendly 'uncle' in their lives, he gets permission from his ex-wife Kathleen (Millie Perkins) and her new husband (Richard Crenna) to take the kids on a Mediterranean cruise. On the journey he comes to realise it's not that easy and, feeling overwhelmed, begins to doubt his abilities until a tragedy back home forces him to become the father he always hoped to be.