What on earth would extraterrestrials think if they could observe us? This is the movie they made.
A mockumentary that follows the 5 main contestants of The Golden Apron contest, a competition in search of "the greatest home chef in America", being held by a nefarious food manufacturing company with their own corporate agenda.
A sharp and darkly comic mockumentary following the misadventures of a mother trying to do all she can to get rid of the ghosts she believes are plaguing her home.
Six would-be superheroes confront the realities of adult life. Juggling rent, failing friendships and the gig economy, will our heroes finally “make it big”, or will their powers go to waste?
Posvícení
After the disaster of Le Fear, director Carlos Revalos decides to make a sequel with a bigger budget. What could go wrong? Simply everything.
Independent film maker J.D Sebastian sets out to document the life of someone who influences culture at a grass roots level. And that someone is the misanthropic b-movie webmaster Buddha Wilson. To strike a balance Sebastian also talks with Buddha's polar opposite webmaster rival Leon Brown.
A 40-minute compilation of comedy skits and music taken from the series "Michael Nesmith in Television Parts."
Adapted from the manga of the same name by Hisashi Eguchi, and directed by Minoru Kawasaki and Rintaro, this is a series of random skits featuring anime, live action, and puppet show segments, exploring love, sex, death and many other sometimes controversial subjects.
Imagine Wes Anderson's Bottle Rocket fused with the reality TV show Survivor, and you might get the slightest inkling of this hilarious buddy-comedy-crime-caper that spins entirely off the rails. Two party-animal, reality TV stars (Jason Trost - The FP, and Lucas Till - X-Men: First Class) are stranded in Thailand. The only way home, and last chance of reclaiming their reality star-status? A treasure map... to a treasure map... Hilarity and adventure ensue in this indie comedic gem.
Twenty-three years after the release of the original Beatles mockumentary, 'The Rutles: All You Need Is Cash', famous artists, actors and musicians speak out on how The Rutles influenced them.
An interview of the 4 members of the world's greatest hacky sack team.
The life story of Colin McKenzie, a forgotten pioneer of international cinema who was born in rural New Zealand in 1888.
A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".
Dr. Harvey Wallinger is one of Nixon's aides who rises through the ranks to become the "real" power behind the president. This short was produced as a television special for PBS in 1971 and was scheduled to air in February 1972, but it was pulled from the schedule shortly before its airdate as PBS officials reportedly feared it might adversely affect their government funding. The special never aired, but it can now be viewed in The Paley Center for Media and has been widely bootlegged online.
Cheech Marin and Tommy Chong attempt to finish a "video album" for their novelty record.
A documentary crew captures the capitalistic trappings a reality show winner falls into during his short-lived stint with fame and fortune.
This faux-documentary profiles a married couple's quest to cure their sexual doldrums.
Lo que viví, Lo que vivo, Lo que viviré
Artful History offers an engaging, and unexpectedly frank, look into the business of art restoration, including backroom dealings and restorer shenanigans, such as cutting up paintings and sculptures to make them "better" or removing an element from a painting for one client and then replacing it for another. The word artful in the title of this work does double duty: the video illuminates a largely invisible and unregulated aspect of the art world in which the preservation, restoration, and sale of art can involve nefarious doings, and it reveals the cunningly manipulative power of the pairing of image and text in the cinematic context. Dion and Simon, longtime interlocutors who collaboratively produced this work, share in their individual practices the desire to examine regulatory structures that shape culture and normalize tendencies that would otherwise seem bizarre.