Yasmin

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

Kresten, newly wed, is on the threshold of a great career success in his father-in-law’s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.

A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness.

Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.

Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo.

Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.

A white boy and a black Jamaican girl have a day out in a city where racial hostility prevails.

In 19th-century Louisiana's Cajun country, Belizaire is the informal spokesman for his citizens, who don't see eye to eye with local racists who wish to eradicate all Cajuns. Complicating matters is that Belizaire's former flame is now married to his biggest rival, an affluent landowner's son. Before he knows it, Belizaire is caught up in a web of murder, lies, and prejudice.

After saving a Black Panther from some racist cops, a black male prostitute goes on the run from "the man" with the help of the ghetto community and some disillusioned Hells Angels.

The neighbors of a frontier family turn on them when it is suspected that their beloved adopted daughter was stolen from the Kiowa tribe.

Sam, a fearless young girl raised outside of her Māori culture, is determined to fulfill her mission of connecting with her mountain. She hopes it can heal her from the cancer she is battling. Along the way, she meets some misfits and new kids in town, and together they journey through a difficult route, discovering the true spirit of adventure and the magic of friendship.

Georges Lajoie is a Parisian café owner. As every summer, Georges, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite, where they meet up with the Schumacher family (whose father is a bailiff) and the Colin family (who sells bras in the markets). This year, their peace is slightly disturbed by the proximity of a construction site where foreign workers are employed. Xenophobic comments are made. One evening at the ball, a fight breaks out between Lajoie, Albert Schumacher and two algerian immigrant workers...

Salim and Alì, two Nigerian brothers, work in a tomato field managed by Fulvio, a violent and racist corporal. Alì, as opposed to Salim, lives a life which goes over the legality. One day, Fulvio commands the two brothers to deliver a drug shipment to a notorious local criminal, but on the return something goes wrong. The corporal's son, Vincenzo, will help Salim to escape his father's brutality.

A young indigenous man contracts tuberculosis and is sent to the Charles Camsell Indian Hospital in Edmonton. He struggles with the aftereffects of the illness but tries to move forward and get a job.

Centers on the unlikely relationship between Ann Atwater, an outspoken civil rights activist, and C.P. Ellis, a local Ku Klux Klan leader who reluctantly co-chaired a community summit, battling over the desegregation of schools in Durham, North Carolina during the racially-charged summer of 1971. The incredible events that unfolded would change Durham and the lives of Atwater and Ellis forever.