Love, Kranj Style

Tasmania, 1954: Slovenian migrant Melita abandons her husband and young daughter, Sonja. Sonja's distraught father perseveres with his new life in a new country, but he is soon crushed into an alcoholic despair, and Sonja herself abandons him at the earliest opportunity. Now, nearly 20 years later, a single and pregnant Sonja returns to Tasmania's highlands and to her father in an attempt to put the pieces of her life back together.

The only true friend he had was an wolf. Or was it a dog?

Eva is a widow bored with life, with her job as an architect, with her younger lover, and with her two teenage offspring. She is eventually assigned the job of redesigning the cells of a new prison, but even when her enthusiasm returns a little with the assignment, she is discouraged by the pseudo-intellectual stance of the prison warden and a non-communicative visit to her father. In an act of desperation, she steals some money and a gun - and fully intends to use them both.

A war disabled lieutenant colonel, who did not make it in the society, after many years of loneliness meets happy woman who loved him in the past, and not forgotten him despite the fact that she married meanwhile.

WWII - Slovenia under Italian fascist occupation. Two friends separated by a woman they both loved, and then by war as well: one of them joins partisans, the other Italian occupying forces.

In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?

Three brothers struggle to survive on the harsh, inexorable and melancholy plains of Slovenia's Prekmurje region. The oldest flees from home in search of a better living, the middle brother survives by refusing to comply with tradition and the youngest, who received his education as a vet in the city simply cannot get used to the slow pace of country life. Will their father live to see the day when respect for the traditional ways will heal the wounds of the impoverished land?

One weird but at the same time very difficult and sad story about the Bosnians, the temporary workers in Slovenia. Their survival and the constant demand for a better place under the sun. It also movie speaks of the great longtime animosity between Bosnians and Slovenians.

An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.

After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.

A misplaced pregnancy test creates confusion in the minds of grown-up children. Eva returns to her home town, to unresolved things from her past. Max has a new love affair. Nataša goes crazy. Izi's mother finds a positive pregnancy test and panics. Izi doesn't give a damn about anything.

Erjavec family goes to picnic on Velika Planina, but instead of having peaceful vacation, they end up in a haunted cottage and fall into series of adventures.

The movie based upon the classical Slovene novel Martin Kačur, depicts the clash between the teacher Martin Kačur and his conservative environment. Due to his progressive ideas, he is transferred to a small town. The village environment is even more depressing than his former surroundings were, as the influence of both the secular and the Church authorities is even greater in the country. Even though Martin meets Tončka and the two of them get married, he gradually becomes a disillusioned and embittered man. In time, when society's strictures become somewhat milder, Martin is transferred to a more friendly environment, but all the injustices he has experienced have already bitten too deep. Unlike his wife, Martin finds it very difficult to accept changes. When his son dies, it seems as though he has lost all his elan and the will to live. Will he be able to go on bringing the light of knowledge to the ignorant masses, or will his ideals be buried forever like a man in a snowdrift?

Young lawyer Rebeka is given a case involving the murder of a production designer, and the main suspect is her childhood friend Jana. What first seems like a very straightforward case gradually reveals the dark sides, mysterious depths and stray ways of human nature.

A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?

The stories narrated by the film bring together individuals all over the world, spanning over sixty years and thus symbolically covering the approximate period of a single human life. Each of the stories is based on true accounts and events, summed up from newspaper articles, statements, and media announcements. Through internal monologues the collage makes up a whole which transcends any individual story.

Three stories connected by the motifs of water and death told in neorealist style.

The film is based on a novel by Ivan Tavcar and was adapted for the screen by Andrej Hieng. It is set at the end of the 17th century in the area that is now Slovenia at a time of religious intolerance with Amandus, a Catholic priest, determined to persecute local Protestants.

A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.

At the end of the last century hunters who hunted wild roosters, while waiting for prey to show up, were killing time with storytelling. The first story is about Jernac that had a fight with Tomas because of Rezika. Another story tells about Tincek, limp foundling, who spent his youth with the Komar family, where he fell in love with their Lencka. The third is the story of a rich Miholac whose attention was grabbed by poor Polonca, a romance that was opposed by his father. The central theme of all stories is love that eventually everybody die of.