Indiscrétions

Mom Lost It!

Croatia, 1991. Two sisters prepare a special homecoming for their father on the day he’s set to return after three months as a prisoner of war.

The young trapeze artist Alma is part of the show of a miserable traveling circus. In an act of desperation, Alma commits incest with her father, a sick clown obsessed with the woman who abandoned them. Determined to have his child, Alma leaves the circus and joins a group of preachers led by Refugio, a woman who performs puppet shows with biblical passages in poor neighborhoods.

The Hungarian Maria's Day is set in that most fateful of years, 1848. The incredible changes and reverses in European politics and culture exert a potent influence on one aristocratic Hungarian family. Losing virtually everything in the way of creature comforts, the family tries to keep up appearances. Eventually every member of the clan falls victim to illness, syphilis and their own headstrong foolishness. The parallels drawn by director Judith Elek between the dissipation of 19th century Hungarian aristocracy and the corruption of Communist ideology in modern times are inescapable.

A kid strives to be perfect, and in the end realizes that individuality is more fun.

The daughter of an Englishman and an Andalusian woman, Juanita rejects the historical changes taking place in Tangier.She lives alone in this "Paradise lost", surrounded by her sister Elena; Esther, her close friend who dedicates her entire life to an impossible love affair with a Moroccan; and Hamruch the housemaid, who disappears one day without saying a word. The Spanish Civil War, WWII with the arrival of refugees from Europe, and the Moroccan independence finally returns the city to its Arab origins. Juanita's tragedy lies in not realizing that her world is destined to disappear by the destructive and rejuvenating force of History.

A young photographer has fallen in love with his girlfriend's sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.

Nadine is obsessed by a memory linked to a haunting tune she can no longer sing, until she hears someone else singing and everything falls back into place again. A melancholic observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.

A father and his daughter struggle to survive in deep space where they live in isolation.

Luks Glück is a tragicomedy about the dubious happiness of a Turkish family between Hamburg and Istanbul, whose life by a lottery win out of joint.

Apprentice hairdresser Solange is a whiz at teasing locks and cutting hair but knows little about the act of sexual congress -- but she wants to know more. She hails from a small working class town close to Toulouse where she lives with her comely mother, who grudgingly works as a babysitter, and her father, who loves herding ostriches. Her best friend in beauty school is an African immigrant lass named Gary who dreads being returned to her native country for an arranged marriage. Gary offers Solange advice in her quest. Though there is a guy Solange fancies at her vocational school, she wants to know the lay of the land, so to speak, before she gets intimate with him.

Lovers Beatrice Dalle and Wadeck Stanczak can't quite cope with the situation when Dalle becomes pregnant. Stanczak fears that his future as an architect will be scuttled by any parental responsibilities. For her part, Dalle wants to keep the baby, but she also wants to keep Stanczak. Attempting to smooth the waters is the couple's mutual friend Francis Frappat. Chimere was the second feature-film project for director Claire Devers, who rose to prominence on the strength of her award-winning maiden effort Black and White.

A couple meets at their son’s grave ten years after his death; his plot is to make way for a casino city. Anger, hatred and bitterness erupt. A nightmarish drama that goes far beyond this couple’s private grief and points towards the end of society.

Rendez-vous à Kiruna

Ismini is in her early 30s. She is cultivated, delicate, sensitive and... emotionally handicapped. She has developed a simplistic system of defense to protect her emotions: no one is to come near. It is exactly the moment when this collapses that unsophisticated, simple, impolite, aggressive and greatly passionate Haris appears in her life.

The Night and the Moment is a 1995 erotic drama. A writer (Dafoe) is invited to the house of a noblewoman (Olin) who adores free-thinkers. He attempts to seduce her but she insists that he tell her of his past love exploits. While doing so, he takes her through his time in prison where he was unknowingly incarcerated in the cell beside hers.

Five teenage girls with a shared secret get together for a weekend of "No Consequences." The sex, drugs and rock n'roll they intend pale in comparison to the more dangerous path they find themselves on.

For Pastor Judith Ehrmann, her job as an emergency counselor is more than just part of her job: giving people assistance is a vocation for them. But when a classmate of her son dies in a car accident, that's unusual. Judith begins to doubt: herself, her job - but also her family. For all at once everything seems to indicate that her own husband and son were involved in the accident and now want to cover this up. The emotionally intense drama of award-winning director Aelrun Goette raises fundamental themes without giving easy answers.

When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.

Nisantasi is a classy Istanbul residential district. Its inhabitants may be rich and beautiful but they are not necessarily happy. This is the case for 52-year-old architect Can and his wife Ela, an artist who is already past her creative prime. Their daughter Nil has left home to study in Ankara. Left to their own devices, the couple realise that their passion for each other is not what it once was. Nonetheless they both feel secure in the safe harbour of a marriage which places no demands for critical questions or complex explanations. One day, Ela happens to overhear her husband talking on the phone. (Berlinale.de)