Tuna: A Fish with a Special Place in My Heart

A poetic portrait of Lluís Serrat Massanellas, an unprofessional actor and friend of Albert Serra since working with him on Honour of the Knights, and his father, Lluís Serrat Batlle.

This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.

A short biography of William Shakespeare that highlights the various jobs he worked at in the theater.

An audio essay narrated by Greg Pflugfelder explaining the events surrounding a tuna-fish boat called 'Daigo fukuryu maru'. The event inspires the story of Godzilla.

A documentary spotlighting the personal lives and friendly (sometimes) rivalry of the two legendary Hollywood comedians Charlie Chaplin vs. Buster Keaton.

'Amy, is narrated by a model (Liisa Repo-Martell) who’s painfully uncomfortable with her own body and “old woman’s” face. Astonishing closing image is a tightly composed telephoto shot on the start of a marathon race among young schoolgirls, dashing toward and then across the screen in ultra-slo-mo, and accompanied by a girls’ chorus hauntingly singing Brian Wilson’s God Only Knows. Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety - Part 7 of 7-part bio-feature Public Lighting (2004).

The questionably unstable Darryl Donaldson goes on a quest to prove why he's Donnie Darko's #1 fan. While creating the production diaries for the film Donnie Darko, the crew also secretly produced this short satirical film that poked fun at the film, its fans, and the people behind it.

Filmed during a visit to Jerome Hill in Provence, Jonas Mekas sets his Bolex to capture a single day overlooking the port of Cassis. Shot frame by frame from morning to sunset, the film distills shifting light and color into a quiet meditation on time, place, and perception.

"Kon-Tiki" was the name of a wooden raft used by six Scandinavian scientists, led by Thor Heyerdahl, to make a 101-day journey from South America to the Polynesian Islands. The purpose of the expedition was to prove Heyerdal's theory that the Polynesian Islands were populated from the east- specifically Peru- rather than from the west (Asia) as had been the theory for hundreds of years. Heyerdahl made a study of the winds and tides in the Pacific, and by simulating conditions as closely as possible to those he theorized the Peruvians encountered, set out on the voyage.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

First short film by director Jorge Grau, about tuna fishing, with a look somewhere between tourism and anthropology.

A clash of true oceanic titans sees fights in the remote battlefields of Ascension Island. Tuna are often faster, fitter and bigger than the sharks.

What has four legs, five arms and three heads? The Gimp Monkeys. Craig DeMartino lost his leg after a 100-foot climbing fall. Pete Davis with born without an arm. Bone cancer claimed Jarem Frye's left leg at the age of 14. While the three are linked by what they are missing, it is their shared passion for climbing that pushed them towards an improbable goal - the first all-disabled ascent of Yosemite's iconic El Capitan.

Shurochka, the film’s hero, spends her life walking from one village to another in order to weigh tractors. Yet, this makes just one part of her existence. She dances to Utiosov’s songs, she smiles to the pictures of old Soviet actresses and shows a wonderful taste for life amidst the lonely provincial disorderliness.

Imagine a world of incredible color and beauty. Of crabs wearing jellyfish for hats. Of fish disguised as frogs, stones and shag carpets. Of a kaleidoscope of life dancing and weaving, floating and darting in an underwater wonderland. Now, go explore it! Howard Hall and his filmmaking team, who brought you Deep Sea and Into the Deep, take you into tropical waters alive with adventure: the Great Barrier Reef and other South Pacific realms. Narrated by Jim Carrey and featuring astonishing camerawork, this amazing film brings you face to fin with Nature's marvels, from the terrible grandeur (and terrible teeth) of a Great White to the comic antics of a lovestruck cuttlefish. Excitement and fun run deep Under the Sea!

With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.

Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.

A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.

Prix et Profits is a 20-minute short film originally made for educational purposes and released in 9.5mm format. As the title suggests, the film follows the supply chain of a potato, from farmers to consumers, and examines the mechanisms of capitalism.

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.