The M Factor: Shredding the Silence on Menopause

Davina was 44 and felt like she was losing it - hot flushes, depression, mental fog. Now she tells her menopause story, busting midlife taboos from sex to hormone treatment.

Virtually every woman who enters menopause has questions about what’s happening to her body and how to effectively deal with the changes. The broad availability of medicines, remedies and even hormones even conveys the concept that menopause as a curable “deficiency disorder”. This documentary takes a look at the scientific and medical contexts of menopause as well as the latest findings in international research. Are artificial hormones medically necessary or a seductive, supposed fountain of youth? Do they truly assist in alleviating the suffering of women, or are they lifestyle drugs reflecting a zeitgeist in which ageing is no longer acceptable and older people are seen as “flawed”? A visual and provoking science documentary about the hot time of menopause that also takes a look at whether and how the hormones in men likewise go crazy.

Exploring the subject of menopause in Ireland, seeking to broaden the conversation around a subject often considered taboo and finding out how real women experience this life event which affects half the population.

You-Turn is a short documentary that follows three menopausal women as they embark on a journey of reconnection and self-acceptance. After the damage that menopause has caused to their body image, this film explores the proces of speaking your truth, recognizing it’s worth, and being proud of it.

A documentary about hot flashes, organ descent, bladder weakness, cellulite? Sounds like a horror movie, doesn't it? But what if it's quite the opposite, and instead opens the way to a profound questioning of our identity as women, of what we wish to experience and never experience again? Through the eyes of 12 women, Menopauses explores this time of life through stories told with lucidity and humor, which ultimately raise a broader question: until what age does society really consider us to be women?

Rosemarie Blank made this film, which focuses on women aged around fifty, in collaboration with the organisation VIDO (Dutch: Vrouwen in de Overgang/Women in the Menopause). An all but invisible group of housewives who have spent their lives putting themselves last to ensure that their husbands and children can reach their full potential.

Véro compares perimenopause to the lottery: you can experience 3, 10 or 30 symptoms. In her case, she won the lottery. The first signs came early in her life. So she didn't make the connection between the mood swings, water retention, dry skin, hair loss - and menopause. Before finding comfort, she wandered for years. Loto-Méno is her story, her quest, told with courage and frankness.

Ménopositive

Se-eun is a janitor who is always the first to arrive at the pool where she works. One day, she runs into an old friend who is now a swimming instructor.

Unabashed comedian Lynne Koplitz offers a woman's take on being crazy, the benefits of childlessness and the three things all men really want.

An unlikely basketball team of unappreciated middle-aged Texas women, all former high school champs, challenge the current high school girls’ state champs to raise money for breast cancer prevention. Sparks fly as the women go to comic extremes to prove themselves on and off the court, become a national media sensation, and gain a new lease on life.

Menopause turns a hot flashin' wallflower into a super-hot superhero.

CONFESSIONS OF A MENOPAUSAL FEMME FATALE is a fearless stand-up storytelling concert film in which Shakoor uses raw honesty, wit, music, and personal narrative to share her 12-year journey through menopause—a transformative experience that reshaped her identity as a woman, mother, artist, and human being. Framed around a return trip to Hawaii nearly 40 years after she once called it home, the story unfolds when a panic attack triggers deep introspection, forcing Shakoor to confront unresolved struggles, including addiction, postpartum depression, loss, and self-reinvention. Through wit, song, and unflinching truth, Shakoor breaks the silence surrounding menopause in a powerful performance that challenges stigma, invites laughter, and inspires radical self-acceptance.

Jungok, a housewife who suffers from menopausal symptoms after her period stops, sells her unused sanitary pads on an online trading platform. On the day of the trade, she meets a young girl.

In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

The Matica slovenská (a mostly government-sponsored cultural, academic, and archival institution) employed Karol Plicka (1894-1987) as its ethnographer, who was able to make documentary shorts from about 1926. He obtained funding from the President’s Office in 1928 to produce an hour-long documentary about village life, Through Mountains and Valleys (Po horách, po dolách). It was awarded a Gold Medal at the International Exposition of Photographic Art in Florence and received an Honorable Mention at the International Venice Film Festival in 1932.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Colonia Comandante Andresito, in the northeast of Misiones, Argentina, has two particularities: It houses the newest town in the country and protects some of the last vestiges of the Paraná Jungle. An approach to the intimacy of the Procopio family, of three generations of Colonists, shows us the daily life of a region traversed by different points of view.

Bios. Vidas que marcaron la tuya: Charly García