Dirty, Yellow, Darkness

A new teacher, Uma (Anasuya Subasinghe), arrives at a school with her first appointment in a remote village near Dambulla in Sri Lanka. The school has few students, with only the principal (Lucian Bulathsinghala) and Uma as the teacher. With the help of Uma the pupils gradually start to dream of bigger things than they ever imagined. One day Upuli, a blind girl, shares her unseen dream with school friends Sukiri and Ukkun. It gradually becomes the dream throughout the village. The children and Uma encounter perils in their venture to realise this dream. The children of the school start to focus on something they have never seen before. This target gives rise to a small revolution.

Rajini, a Sri Lankan Tamil girl, narrates the horrific tale of why she had to leave her homeland and become a refugee in India.

"Loku Duwa" depicts an attractive and self-sacrificing daughter of the middle class in the city who is trapped in a family of traditional values.

Girl escaped from the police under thundering rainy night hidden in old man house spark a conversation on their past, revolutionary traits with sharing ideologies in arts, culture, feminism and revolution.

This mythological film depicts the romantic relationship between Hindu god Kartikeya and the aboriginal princess Valli.

This is a tale weaving love, betrayal, and adventure. "Mandara" unfolds around the lives of sports star Mandara, engineer Vishwa, orphan heiress Yashora, and her uncle Bharatha. After Mandara and Vishwa's romance leads to heartbreak, their paths cross with Yashora, on the run from her murderous uncle, aiming to seize the family fortune. Their fates intertwine in a story of love, loss, and resilience, leading to a dramatic showdown and a heartwarming conclusion, all set against the backdrop of Sri Lanka's stunning landscapes and accompanied by a captivating soundtrack.

The son of a newly rich industrialist becomes embroiled in a murder cover-up.

Two friends, Bhanuka and Kalana, arrive in a remote village where Bhanuka falls for Samadhi, the beautiful daughter of the revered Ayurvedic healer, Mr. Wickramasinghe. As their stay unfolds, they uncover a hidden crime in the village.

An embarrassing problem emerges in a quiet household somewhere in a province of Sri Lanka. The patriarch of a lovely family suddenly dies in front of the TV one fateful night. He experienced something soulfully romantic before his last breath and the most sensitive part of his deceased body still functions without pulse or blood pressure. His two grown sons and a mourning mother are eager to bend down the standing organ to avoid shameful reactions at the funeral.

A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they encounter the militant group known as the Tamil Tigers.

An Indian tourist couple arrive in the hill country of crisis ridden Sri Lanka to celebrate their 5th wedding anniversary. But, when things take an unexpected turn, conflicts deepen revealing cracks in their relationship.

Talented and ambitious village girl comes to town to be a singer to earn money to save her fathers's life. The film has influenced by romantic musical Bollywood film Aashiqui 2.

Adarei Man (I Love) (Sinhalese: ආදරෙයි මං) is a 2018 Sri Lankan Sinhala romance film directed by Prageeth Rathnayake as his maiden direction and produced by Jagath Chandana for Romeo’s Eye Picture. It is the love tale of a rich but kind hearted boy named Pavan and his relation with a middle class girl named Malmi

Bimba Devi alias Yashodhara is a 2018 Sri Lankan Sinhala language epic, biographical drama film written and directed by professor Sunil Ariyaratne. This historical biographical film film depicts the life of princess Yashodhara, the wife of Prince Siddhartha.

Three war-torn strangers posing as a family flee Sri Lanka’s civil war to start over in a troubled Paris suburb, but their past traumas resurface as they struggle to survive in their new environment.

Fifty-six-year-old Perianayaki contends with the difficulties of fitting into her new home, especially at the local supermarket where she works. Eye-opening and brimming with compassion, the latest film from director Bala Murali Shingade is a slice-of-life character study that provokes questions about multiculturalism and our assumptions about the people we encounter in daily life.

A father and his daughter came to India as refugees post-war in their country. Few good hands help them to rebuild their lifestyle.

A hearing-impaired taxi driver is exploiting a loophole in the law to make a living. But when he gets entangled with the criminal-political underworld of Sri Lanka after a fateful taxi ride, the next few hours will decide the rest of his life.

Two friends, Manoj (Gihan De Chickera), a bartender, and Stanley (Dharmapriya Dias), a fruit vendor, wish to immigrate to the West to seek their fortune, but have difficulties getting their visa applications approved. They come across an application to a handball tournament in Bavaria, and not even knowing what the game is, they submit themselves and a group of friends as the "Sri Lanka National Handball Team". For appearance's sake, they begin minimal training and then seek travel visas from the German Embassy. Their plans to simply escape into the West upon arrival in Germany are thwarted by the quick appearance of the tournament organizers and an arena of fans eager to see the prowess of the Sri Lanka National Handball Team.

Gajaman is a henchman of the local politician Magodisthuma. Gajaman's life is turned upside down when Magodisthuma asks him to pick up his daughter and her friend from the airport. The trouble is, Gajaman falls in love with Magodisthuma's daughter immediately as he sees her. Magodisthuma becomes furious when he finds out about this. Gajaman is exiled from his village and he tries to sneak back in with the help of his friend Amdan. The movie revolves around the classic Sri Lankan characters Gajaman and Magodisthuma created by Camillus Perera from newspaper cartoons in the 60s.