Carmen

Pari takes on the responsibility of taking care of her family. She, who is trying to rescue her younger sister Maryam, who is working under a one-sided contract with Asghar at a café, travels from Shiraz to Isfahan and encounters a wealthy young man named Parviz along the way. Disguising herself in men's clothing and using the name Mashallah, she gets employed by Parviz...

Hard to get hard when you're straight and you cheat on your girlfriend for the first time with a lesbian who wants revenge...

Do Maeng-su, a weak and timid citizen is a debtor who owes a lot. He gets a fake divorce to protect his beloved wife from the scary private moneylenders, and immediately, ironically, he wins a large sum of the lottery.

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.

When the old colonel Hummerborg dies, he leaves his fortune and estate to his trusted housemaid Hanna. But the colonel's relatives try everything to have the last will canceled.

Out of insecurity, when Marilú met Rafael online and he asked her to meet in person, she pretended to be her attractive friend Brenda.

The architect Gösta complains to Dr. Holm about his wife Gunilla's introverted character. Holm proposes a drug that will make her more outgoing.

Embracing his belief that comedy is the last raw form of expression, Deon Cole explains the right time to thank Jesus and the wrong time to say "welp.".

A recently fired cook poses as a misogynist to get a job in the mansion of an unrepentant woman-hater.

The gang anticipates the opening of Zero Gravity Zone; planning begins for Ray and Noelani's wedding.

A meek, lowly employee at a London brokerage firm sees his life change when he's suspected of being a notorious womanizer.

She's the Boss follows two co-workers whose secret relationship could compromise their jobs. Both want marriage, but neither want to quit, they comically try to sabotage one another into leaving their job.

An elderly man discovers that his son wants to put him in an old-age home. However, the old man's grandson refuses to allow it, and the man and his grandson wind up becoming roommates at the boy's college dorm.

A woman with no name teams up with a resourceful militiaman and a video-store clerk turned wandering gunslinger to rescue a scientist who may hold the key to ridding the world of the undead.

Adolfo reunites with his old teacher, Father Benito, to confess him the crimes he committed when he was a young boy just to save the soul of the people he loved.