A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
This joyful short animation features a dancing hen that transforms into an egg. The film was made without a camera by Norman McLaren, who drew directly onto 35 mm movie stock with ordinary pen and ink. Colour was added optically.
A boy breaks a window at his school and sets out to fix it on his own during a storm.
In an old library, two armies of chess pieces are about to start a war.
Regal is an eagle who is afraid to fly. A little bird offers to help him, but Regal does not believe he can. Will the eagle finally learn to fly?
A little pig dreams of being able to fly, but, try as he might, he fails to get up into the air. All the other pigs are heartily amused by his hapless efforts and so, the little pig has no choice but to go out into the big wide world in search of someone who can teach him how to fly.
A debate arises between Jesus Christ and a beautiful nun about her nightlife and whether the scriptures address any punishment for her sins.
A 20 minute masterpiece with no dialogue necessary. A King of the Forest gathers elves, sprites, and other assorted woodland spirits for a night of festivities. The spirits frolic, dance, drink, and romance. Conflicts arise and are resolved. The puppetry here is top-notch, and the rear-projections of fire and water add an extra depth to the magical world. A trip to a mysterious and happy world.
This cartoon is directed against the brutality of professional Boxing. In parody form it ridiculed unworthy methods and means used to achieve victory.
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.
Animation featuring dancing black and white shadows.
In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Surrealist short film of images viewed to a surrealist poem by Max Ernst.
Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours/Voisins.
In a dismal and decadent world, a little Saint cares for various beings with suicidal tendencies. A strange visit warns the Saint not to interfere with the supreme order of things, whereby the natural law of martyrs takes precedence over kindness and affection
Augusta tries to pacify her crying infant by feeding it a nutritious meal.
At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him
Lewis Carroll's 'Alice' stories are used to explain certain sections of the Labelling of Food Regulations 1970.
A young sailor descends from a local train. He goes to a nearby forest, which is full of strange men in medical uniforms behaving in an absurd and eccentric manner. The sailor falls under their influence and masochistically gives himself up to them only to be disemboweled by the werewolf orderlies. The sailor’s last unconscious image is a “white ship sailing towards the horizon”—a Soviet symbol for happiness and joy.